| Lot | Description | Price |
| 1 | Framed oil on canvas, Blue Horizon, signed 'F. Brown' lower left, overall: 16''h x 17''w | 325 |
| 2 | Framed oil on canvas, Australian Bush Scene, by Erik Langker (Australian, 1898-1982), unsigned, label from the artist verso, sight: 14''h x 19''w, overall: 18''h x 23''w | 225 |
| 3 | Framed oil on canvas, Mountain Landscape, signed W. Augustin lower left, European 20th century, sight: 12''h x 14''w, overall: 15''h x 20''w | 30 |
| 4 | Framed oil on board, Ships, signed P. Arero lower right, overall: 18''h x 22''w | 60 |
| 5 | Framed oil on board, Cubist Still Life, after Louis Marcoussis (French, 1883-1941), signed lower right, sight: 8.5''h x 11.5''w, overall: 15.5''h x 18.5''w. | 325 |
| 6 | Framed oil on canvas, Waves at Sunset, signed 'P. Brault' lower left, overall: 22''h x 30''w | 40 |
| 7 | Framed double sided watercolor, Landscapes, Russian, 20th century, signed 'Lentulov' and dated lower right, inscribed ''near Vologda,'' overall: 20''h x 24''w | 350 |
| 8 | Framed watercolor, House by the shore, by Galen Russell Wolf (Californian, 1889-1976), signed lower right, sight: 11.5''h x 15.5''w, overall: 17''h x 21''w. | 60 |
| 11 | Framed oil on canvasboard, ''A Gray Day,'' signed A. Podchernikoff in cyrillic lower right, titled verso, overall: 15''h x 13''w | 35 |
| 12 | Framed oil on board, ''Mountain Wonderland,'' by Paul Braid (Canadian, 1920-1999), signed lower left, overall: 14''h x 17''w | 100 |
| 13 | Pair of carved wooden statues of seated male and female in modern Baule tribal style, Cote d'Ivoire 18''h | 150 |
| 16 | Carved wooden statues of seated male and female, modern Ashante style, Ghana 18'' | 70 |
| 18 | Carved and pigmented wooden mask with figure on top, mixture of Burkina and Faso styles 29''h | 60 |
| 19 | Chinese-style silver boat-form vessel, either side with repousse dragon relief on a graduated ground, the up-swept terminals with Western-style foliate design, all supported on a waisted pedestal base, 9.25''l | 80 |
| 21 | Cut glass star pattern bowl with Wilcox sterling silver rim having foliate motif; 7.5''dia | 60 |
| 23 | Reed and Barton silverplate 5 light candelabra in elaborate classical design; 15.5''h | 80 |
| 24 | Old, authentic carved wooden Tau-Tau or ancestral memorial head, Toradja people of Sulawesi Island, Indonesia, 21''h, cracked | 200 |
| 26 | Bronze two handled mortar and pestle, 19th century, 6.5''h mortar, 12''l pestle | 20 |
| 29 | Bohemian cobalt glass vase with enameled floral and gilt decoration 13''h | 50 |
| 30 | Pair of French art pottery vases, 11''h | 50 |
| 31 | (Lot of 2) Waterford crystal including a circular candle holder with diamond cut pattern, and a number 1, 5''h | 25 |
| 32 | Pair of Continental floral and gilt decorated urns with pineapple knops, 13''h | 20 |
| 33 | Blue and white trumpet form crackle glaze vase with hand colored coat of arms bearing the inscription ''Sola Vittus Invicta'' over the letters ''RMH'', marked on bottom ''UW 1897'', 12''h | 25 |
| 34 | Blue iridescent art glass paperweight with a swirl design, signed Abelman 1990, 2''h | 60 |
| 35 | Daum sculpted topaz art glass plate ''Summer'', number 814/2000, 10.25''(box included) | 50 |
| 37 | Carved inuit bear, signed Louis Wilson, 3'' x 5.5'' | 80 |
| 38 | Fine carved cameo art glass vase after Galle, butterfly motif above a circular footed base, raised signature, 14.5''h cracked | 110 |
| 39 | Five Lenox 12.25'' plates with silver rim | 80 |
| 40 | (lot of 2) Staffordshire spaniel 8'', together with a Staffordshire spill vase with painted seated maidens 5'h | 50 |
| 42 | (lot of 2) Carved wood figural ''bird bath'' ink and pen stand with open glass inkwells and a covered water well, 4'' x 10'' x 7''; together with a footed brass ink and pen tray, 3'' x 8'' x 5'' | 140 |
| 43 | (lot of 3) Lenox Designer's Collection porcelain items with gilt relief decoration, including a Versailles vase, 9''h and a pair of Stallion ashtrays | 30 |
| 45 | (lot of 16) Assembled group of Quimper including plates, bowls, cups and saucer, etc. | 100 |
| 47 | Brush-McCoy art pottery pedestal jardiniere in dark green glaze decorated with Greek key and lion masks, 32.5''h | 200 |
| 49 | Victorian pitcher and wash basin set with painted floral decoration, pitcher 13''h | 40 |
| 50 | Weller Art Nouveau art pottery umbrella stand with jewleled motif, 20''h, spider crack to base | 80 |
| 51 | Roseville majolica jardiniere in blended glazes of yellow, green, and red, marked 423, 9''h x 10d | 110 |
| 52 | Weller art pottery umbrella stand, in green and brown glazes, repaired, 20''h | 50 |
| 53 | Roseville Donatello 1915 jardiniere, classical style with a wide band having cherub scenes amidst trees, on green and ivory ridged ground, 9'' | 60 |
| 54 | Brush McCoy Pottery Company majolica glazed jardiniere on pedestal having relief decoration of stylized amaryllis and elongated leaves in green and eggplant-colored glossy glazes, 28.25'' | 140 |
| 55 | Japanese gilt metal statue of Kannon, based on a Hakuho/Nara period prototype, the slender figure in bodhisattva raiment and standing on a double lotus pedestal with a lotus spray in his left hand, the youthful visage framed by a separately fashioned flame-fold mandorla (wear), 20.5''h | 200 |
| 56 | Nepalese bronze figure of a bodhisattva, standing in princely raiment with patterned garments and various types of jewelry, the left hand raised in a teaching gesture, the smiling face with a third eye and framed by an ornate diadem fronting a tall chignon (minor losses), 18''h | 50 |
| 57 | Chinese silver repousse figure of an immortal, depicted as a Tibetan lama with a five-point diadem and wearing thick robes, supported on a square plinth inlaid with turquoise to the top, the sides decorated with birds-and-flowers or butterflies, now on a wooden stand (wear, losses, oxidiation), 3.75''h [excluding stand]. | 110 |
| 58 | Tibetan silver-mounted ritual conch shell trumpet, 19th/20th century, the large shell embellished with repousse silver worked with Buddhist symbols and auspicious emblems amid lavish flowering and leafy scroll work, with occasional turquoise and coral inlay (wear), 9.5''l | 120 |
| 59 | (lot of 3) Tibetan Buddhist votive figural group, the central figure of a Buddha in the bhumisparsa mudra, the flanking images of tantric multi-armed bodhisattvas, each of the three seated deities resting on a double pedestal above a rectangular plinth and framed by a double nimbus reversed by a large gilt Sanskrit character, all cast in gilded bronze with turquoise and coral inlay, with pigment accents, 2.75''h; Provenance: Estate of Mrs Gloria O'Hara, Vancouver | 120 |
| 60 | Khmer rare terracotta votive tablet, Angkor period, Baphuon style, 11th century, the deity wearing a Baphuon-style sampot and seated in a pose of meditation on a high waisted throne, his hands to the front in dhyana mudra and adorned with a necklace and other jewelry, the serene visage framed by a coiffure of short curls, all backed by an almond-shaped mandorla with an overall foliate pattern (some losses), now mounted on a metal plinth, 5''h | 150 |
| 62 | Himalayan repousse copper religious plaque, with a mandorla-like configuration centered by a wheel-like enclosure with the eight trigrams and twelve animals of the zodiac within a flaming nimbus below three high-relief tantric deities bracketed by enshrined inscriptions, further inscriptions on two roundels above a long textual passge across the bottom (wear), 12''h x 10.5''w | 80 |
| 63 | Chinese boxwood figural carving, depicting a lohan (Buddhist sage) in monastic garb seated on a rocky plinth with a begging bowl to one side, his head tilted and left hand raised to one side of his expressive face (wear), 8.5''h | 120 |
| 64 | (Lot of 5) Thai bronze heads of the Buddha, probably all from the Ayutthaya period, three with a coiffure of small curls and ushinisha surmounted by a flame finial, the other two with a patterned diadem framing the face (fragments, corrosion), 3.5''-2''h | 175 |
| 65 | Chinese elephant ivory covered container, of cylindrical shape and carved with an overall design of sinuous dragons on a dense ground of cloud scrolls and bracketed by patterned bands (minor age cracks), 4''h | 130 |
| 66 | South Asian wood and elephant ivory decorated desk piece, the exotic wood with a reticulated ivory overlay of scrolling leafy tendrils framing oval plaques of Hindu deities, beauties and an 'angel', with a space for an ink well and pen rest, the underside 'Lucile Eising, MD' (losses), 12.25''l | 130 |
| 67 | Chinese hardstone figure of a rhinoceros, the double-horned animal in a frontal posture with head raised, the body carved overall with archaistic scrolls and animal motifs in a shallow relief heightened with occasional dark stain accents, the stone of pale celadon tone mottled with gray and white inclusions, 7.25''l; Provenance: Estate of Gloria O'Hara, Vancouver | 325 |
| 69 | Chinese polished hardstone vase, carved with a foliate-edged rim and lobed neck bracket by a pair of loop handles suspending loose rings above a tapering lobed body decorated with a pair of taotie mask, all supported on a foliate-edged base, the translucent matrix of pale green tone, 6'' Provenance: Estate of Mrs. Gloria O'Hara, Vancouver | 225 |
| 70 | (lot of 2) Chinese jadeite carvings, the first carved and pierced as a bi disk surmounted by chilong dragons, bats, cash emblems, lingzhi fungus and fruit peach branch, the crystalline matrix suffused with apple green, the second of plaque carved as a flower vase encircled by chilong and other auspicious symbols, the stone of faint lavender hue with green inclusions, 4.75'' and 5.25''l | 90 |
| 71 | (lot of 4) Chinese jade decorations, consisting of two bi (ritual disks), one of transluclent pale green stone incised with characters to either, the other of sea green color mottled with brown, the third a douoble-fish pendant with gold clasp, the last a reticulated bead with foliate pattern. | 50 |
| 72 | Chinese carved hardstone bi (disk), the surface decorated with nine chilong pursuing a central flaming jewel featured to the center, the reverse incised with a phoenix and dragon, the stone of mottled pale green tone (repaired), 10.5''diam; Provenance: Estate of Mrs Gloria O'Hara, Vancouver | 350 |
| 73 | Chinese jade animal handling piece, carved and incised as a recumbant fu-lion with a ball secured by its right forepaw, the large head with large eyes and mouth open to reveal its large fangs, the sea-green matrix with opaque white and russet inclusions, 3.5''l | 60 |
| 74 | Chinese fluorite figural carving, depicting a pair of beauties standing with sprays of oversize lotus, the transparent matrix with crystaline inclusions, opaque patches of russet hue and suffused with a green, with fitted base, 6''h | 45 |
| 75 | Chinese lapis lazuli figural carving, of a maiden standing in long wind-swept robes, her hands with stalks of leafy lotus, the matrix of mottled dark blue toned with occasional crystaline inclusions, 8.5''h | 60 |
| 76 | Pair of Chinese soapstone bird carvings, each in a mirror pose and featuring a pair of long-tailed creasted birds perched on a gnarled tree trunk, all supported on a reticulated stand carved from the same mottled green stone with light and dark inclusions, 11.5''h | 80 |
| 78 | (lot of 2) Chinese oversize jade seals, the first of square shape and surmounted by a qilin-like mythical beast, the matrix of yellow hue with extensive russet mottling and calcification, the second more rectangular and topped by a pair of confronted dragons centering a sacred jewel, the sea-green stone mottled with opaque ochre-hued inclusions, 6'' and 6''h | 80 |
| 79 | (lot of 2) Chinese Rose Medallion teapot and Canton enamel bowl, the first of compressed ovoid shape and decorated with figural and floral reserves in bright enamels, the base marked 'Made in China', 9.75''l; the sloping exterior sides of the second finely painted with the 'Eight Immortals' in a landscape setting (damage repairs), 5.5''diam | 30 |
| 80 | Chinese blue and white decorated porcelain stem cup, the sloping exterior side well painted with a pair of five-claw dragons flying over stylized mountains repeated on the slender pedestal support, the interior with an apocryphal Xuande mark, 4''h; 6''diam | 15 |
| 81 | Chinese underglaze blue decorated bowl, the exterior painted in shades of cobalt blue with a figure fishing in a moonlit landscape and inscribed with a five-character poetic couplet, the base with the mark 'neifu', (rough rim), 7.25''diam | 130 |
| 82 | Chinese ox-blood (lang yao) glazed porcelain hand-bell (yao ling) vase, 18th/19th century, with the characteristic long neck, small neck and slightly tapered body and tall neck covered overall in a deep red glaze stopping short of the foot-rim, the recessed base with a six character Kangxi mark, 7.5''h | 600 |
| 83 | Chinese sancai glazed bird-form roof tile, the semi-circular base supporting a stylized rooster with incised details heightened with yellow ochre and green glaze (wear), 10.25''h | 90 |
| 84 | Chinese bone snuff bottle, 19th century, the contour conforming to the natural taper and with a flat shoulder, the stopper of silver-washed metal with green glass and filigree accents (good patina), 2.75''h | 50 |
| 85 | Chinese large inside painted snuff bottle, of rectangular shape and decorated with a scene from the Song dynasty Qingming Festival scroll, the stopper of agate, 3.5''h | 60 |
| 86 | (lot of 8) Chinese porcelain and inside painted snuff bottles: the porcelain bottle, late Qing and decorated with two groups of sages, the base with a Tongzhi mark; three inside painted bottles with landscape or figural decoration, and four inside painted bottles with yellow or red glass overlay, of various shapes but all with landscape design, first 3''h | 50 |
| 87 | Chinese red enameled porcelain vase, the slender ovoid body painted in shades of red enamel with butterflies and flowering sprays continuing up the tall waisted neck, a floral band below the flaring rim, now mounted as a lamp, 9''h [vase only] | 20 |
| 88 | Pair of Chinese celadon glazed plates, late Qing dynasty, each covered in a sea-green glazed, the base with a six-character mark (surface wear, one with chip to foot rim), 10.25''diam | 50 |
| 89 | Chinese blue and white export serving dish, the oval well penciled in underglaze blue with a pair of deer in a landscape, the foliate-edged rim with Fitzhugh-type of border band, with brown edge band, the flat foot unglazed, 12''l | 150 |
| 90 | Chinese blue and white export plate, the oval well penciled in underglaze blue with an imaginary river landscape, the rim with Fitzhugh-type of border band, 10.5''diam | 50 |
| 91 | Pair of Japanese Satsuma-style ovoid vases, each globular body well decorated in gilt and bright enamels with birds perched in an autumn maple (momiji) and framed by patterned bands, with a gilt rolled rim, the base cartouche reading 'Koshida' (some loss to gilt), 4.75''h | 50 |
| 92 | Chinese celadon glazed charger, the flaring interior sides incised with large leafy blossoms encircling the interior well with a double row of stylized petals, 13.5''diam | 25 |
| 93 | Japanese Kutani ware dish, the sloping interior painted in gilt and polychrome enamels with cranes in a landscape with pine saplings and framed by a brocade patterned band, the exterior with butterflies and blossoms, the base inscribed 'Kutani-zukuri', 9.75''diam | 25 |
| 94 | (lot of 2) Japanese blue transfer ware plates, Meiji period, the first with a central medallion of phoenix and flowering paulownia, the sloping rim with cherry blooms on a diaper pattern ground, the second of similar appearance with a single phoenix , each with brown-glazed foliate rim, 12''diam | 70 |
| 95 | (lot of 3) Japanese Imari plates, consisting of a pair with 'sho-chiku-bai' medallion centered by foliate reserves on a kinrande ground, the last with a stylized chrysanthemum roundel encircled by bamboo and blossom panels on a brocade ground, each with a four-character apocryphal mark, 8.5'' and 8.75''diam | 50 |
| 96 | Pair of Chinese white hardstone animal carvings, each fashioned as a striding fu-lion with head thrown back and mouth open in mid-roar, a small pup in a similiar animated pose perched on the backs, the translucent stone of icy-white tone, 10''l | 150 |
| 97 | Framed Chinese pith painting, 'Butterflies and Insects', 19th century, in ink and color on pith paper (some damage), overall 11.25'' x 13.5''; painting 7'' x 9.5'' | 25 |
| 98 | Japanese red ginbari cloisonne enamel decorated vase, the ovoid body with branches of flowering cherry to the front, the bright enamels silhouetted against a translucent blood-red ground with an overall granulated pattern and a few floral sprays to the reverse, with silver rims, the rim on the base marked 'Bun' within a circle, 7.25''h | 100 |
| 99 | Japanese gilt and black lacquer tray, the interior with a bird in flight over flowering iris in gilt hiramaki-e, takamaki-e and enashiji on a roiro ground (chips), 10.75''sq | 20 |
| 100 | Korean grey stoneware lidded container, Silla Dynasty, probably 6th century CE, the covered cup on a conical openwork foot, surmounted by a cover with an circular openwork knob and incised with two 'Y'-form marks near the edge, 5.5''h | 100 |
| 101 | Korean celadon glazed figural water dropper, in the shape of a monkey seated with her young held to the front, with iron oxide and underglaze red accents (rough foot), 4''h | 70 |
| 102 | (lot of 2) Two Korean underglaze decorated porcelain water droppers, the first of octagonal form with a small handle and spout, the top with a red- and blue-underglaze floral spray, the characters 'saeng su' on the sides, the second of globular shape and painted in underglaze red with a dragonfly and leafy sprays, (rough foot), 4'' and 2.5''l | 50 |
| 103 | Korean celadon glazed figural water dropper, in the shape of a mythical tortoise (probably depicting the 'mysterious warrior of the north') with a horn and short beard, its mouth biting a cord which drapes over its shell overlaid with a flower heightened with underglaze red, 4''l | 50 |
| 105 | (lot of 2) Two Korean celadon glazed water droppers, each of peach shape, one larger with a leafy forming the pouring spout, the second incised with multiple leaves beneath the small spout (rough foot), 3'' and 2''h | 50 |
| 106 | (lot of 2) Chinese two-section metal hot water pots for tea water, each of rectangular shape and resting on a pierced lower section (for coals/heat source), the first with a curved spout and a squared handle, the other set with a spigot and with a double-loop handle, the metal of the second possibly Paktong, 9.25'' and 9.5''h [handles folded] | 300 |
| 107 | Chinese paktong metal pipe, with the characteristic removable bowl, accompanying tools, removable storage container and curved pipe set into a slender body incised with beauties on a garden terrace reversed by various styles of script, 10.75''h | 50 |
| 108 | Chinese two-section nickel-plated hot water pot for tea, of cylindrical shape and resting on a pierced lower section (for coals/heat source) attached to the upper part by hinges and small hooks, the front set with a spigot, the lid encircled by a hinged double-loop handle, the metal possibly Paktong, 12''h [handles folded] | 70 |
| 109 | Chinese rosewood figural carving, featuring a warrior deity standing in traditional armor and holding a spear, with inlaid eyes, 17.25''h | 60 |
| 110 | Chinese wood carving of Guanyu, the warrior deity standing in full armor with a halberd in his left hand, the right fingering his long beard, 18''h | 25 |
| 111 | (Group lot) Selection of Chinese wooden plate stands, various styles and sizes | 175 |
| 112 | (Group lot) Selection of Chinese wooden footed stands, various styles and sizes | 275 |
| 113 | (Group lot) Selection of Chinese wooden round stands for bowls, vases and similar items, various styles and sizes. | 325 |
| 114 | (Group lot) Selection of Chinese large wooden oval and multiple rectangular stands, various sizes. | 175 |
| 116 | Vietnamese underglaze blue decorated charger, 20th century, the interior well painted with a pair of large fish swimming amid waterweeds encircled by a band of stylized peonies with scrolling leafy tendrils on the cavetto, the dished rim with a narrow band of linked scrolls, the exterior with jeweled lappets, 15''diam | 200 |
| 117 | Thai Sawankhalok ceramic basin, Sukhothai period, 14th/15th century, the deep interior well with a central star-form medallion within multiple rings repeated at the everted rim, the exterior molded in high relief with a wide band of leafy scrolls reserved on a greyish cobalt blue ground, 13.25''diam | 150 |
| 118 | Burmese polychromed wood figure of a nat (spirit), 18th/19th century, wearing a loincloth but partially nude wtih his raised right arm resting on his forehead, the left on his crossed legs (traces of original pigment, extensive wear, some losses), 16''h; Provenance: reputed to be from the Kingdom of Ava | 35 |
| 119 | Modern glass and black lighted metal display cabinet with glass shelves, 63''h x 44.5''w x 20''d (key in office) | 275 |
| 120 | Pair of William & Mary style open armchairs on turned stretcher bases, upholstered in floral tapestry; 37''h x 22''w x 23''d | 130 |
| 121 | Louis XV style walnut footrest with upholstery depicting landscape with flowering plants and animals, 10''h x 41''w x 10.5''d | 250 |
| 122 | Persian Kerman, 9'6'' x 14', (worn areas in red area around medallion) | 225 |
| 123 | English shirt cabinet, with label stating ''The Property of J.C. King LTD Shopfittings and Sundries 42-60 Goswell Rd E.C.1.'', 78''h x 36.5''w x 20.5''d | 550 |
| 124 | Oak Henri II style dining table with 3 leaves on turned stretcher base, 28.5''h x 44''w x 41''d circa 1890 | 275 |
| 126 | Pair of bronze painted Blackamoor figural planters, 55.5''h | 1600 |
| 127 | Chinese carved wood immortal in a case, depicting the warrior Guanyu standing in long robed and wearing armor breast plate and shoulder guards, his right hand toying with his long beard, the other holding a halberd, all set within a glass case on a carved wooden stand, overall 16.5''h | 175 |
| 128 | Arts and Crafts hammered copper desk blotter with raised initials: ''M J K'', 26''w x 19.5''d | 60 |
| 129 | Romanesque columnar 7-light candelabra, 20th century, brass accented with verde patinated, 27.5''h | 120 |
| 130 | Louis XV style marquetry occasional table with brass banding and gilt metal accented legs; 21.5''h x 31.5''w x 22''d | 120 |
| 131 | White enameled bidet on bentwood base | 20 |
| 132 | Unusual Victorian Renaissance Revival walnut bootjack having gold accented scratch carving and blue velvet slipper pocket, 38''h x 17.5''w x 19''d | 70 |
| 133 | ***DESCRIPTION INCOMPLETE IN CATALOG, SHOULD SAY MONTEREY FURNITURE...*** Wood framed wall mirror with painted prickly pear cacti in bloom on carved crest; 36.5''h x 24''w | 120 |
| 134 | Wrought-iron free standing patio lantern with six glass panels, scrolling form with flowers and acanthus leaf, 8'7'' x 3'7''d | 425 |
| 136 | J.D. Kestner German bisque socket head doll, circa 1910, with inset eyebrows, painted features, blue fixed eyes, open mouth showing 4 teeth, composition jointed body, marked Gemany 196, 20'' | 100 |
| 137 | Circa 1920 Leibe & Hofmann, Gera-Untermhaus bisque shoulder head doll with painted features, fixed blue glass eyes, open mouth showing 5 teeth, with kid body having bisque hands and cloth legs and feet, 21.25'', marked LH 7, missing thumb on right hand | 100 |
| 138 | Circa 1920 Schutzmeister & Quendt bisque socket head character baby doll with painted features, blue sleep eyes, open mouth showing 2 teeth and composition body, 16.5'' | 80 |
| 139 | French fashion doll having swivel bisque head with shoulder plate, painted features, closed mouth, paperweight blue eyes, leather body, original wig, no visible marks, possibly E. Barrois 16.5'' | 1400 |
| 140 | French fashion doll having swivel bisque head with shoulder plate, paperweight blue eyes, painted features and closed mouth, leather body, original wig, marked E. (E.Barrois), 17'' | 2500 |
| 141 | Circa 1920 Kammer & Reinhardt Simon & Halbig bisque swivel head doll having painted features, brown flirty sleep eyes, open mouth showing 2 teeth and composition body, marked KR Simon Halbig Germany 126, 14'' | 120 |
| 142 | Circa 1900 Armand Marseille doll with bisque shoulder head, dolly face with painted features, brown glass eyes, open mouth showing 4 teeth, leather button joined body, cloth legs and feet, bisque hands, marked AM 370 Germany, 21'' | 110 |
| 145 | German bisque socket head doll having painted features and blue sleep eyes with an open mouth on composition and jointed body, marked made in Germany 171, 13.5'' | 90 |
| 147 | Large antique doll with bisque socket head having painted features with blue fixed paperweight eyes and an open mouth revealing 4 teeth on a ball jointed composition body, marked Simon & Halbig K star R Germany 73, 29'' | 325 |
| 149 | Kammer Reinhardt Simon & Halbig bisque socket head doll with brown flirty sleep eyes, painted features with an open mouth showing 2 teeth and quivering tongue on a bent limb composition body, circa 1914, marked K star R Simon & Halbig 126, 25'' | 325 |
| 150 | Antique doll with molded head and shoulder plate on a wood and composition body with hinged joint movement, 27'', losses to paint | 50 |
| 151 | (lot of 2) German bisque socket head doll having molded & painted eyebrows and features with blue fixed eyes having an open mouth showing 4 teeth on a ball jointed composition body, marked Germany 85, 33'' ; together with an oak high chair | 600 |
| 152 | Vintage toddler boy composition manequin with molded and painted characteristics, 30'' | 50 |
| 153 | (lot of 3) Armand Marseille circa 1915 bisque socket head doll with painted characteristics, blue sleep eyes, open mouth revealing 4 teeth on a ball jointed composition body, marked 390n Germany A 3/OX M, 13''; Ernst Heubach circa 1914 bisque socket head doll having a painted face, blue sleep eyes, open mouth with 4 teeth on a ball jointed composition body, marked (Heubach) 250 6/O Germany, 15''; and a German bisque socket head doll with painted characteristics, brown sleep eyes, open mouth with 4 teeth on a composition body, marked Germany 15.5'' | 80 |
| 154 | (lot of 6) German bisque head and shoulder plate doll with blue fixed eyes, open mouth with 2 teeth and tongue on cloth body with bisque hands, marked Germany 68, possibly Gebr. Kuhnlenz circa 1900, 12''; Armand Marseille 1914-1925 bisque socket head character doll having painted features, googley eyes, and a closed mouth on composition body, marked Germany 323 A O/O M, 9''; bisque socket head doll with painted facial characteristics, blue sleep eyes, and open mouth showing 4 teeth on composition body having painted boots, marked R 15/o, possibly Theodor Recknagel, Alexandrinenthal, 7''; German molded bisque doll having painted facial features, socks, and shoes, marked Germany 3, 5''; bisque doll having painted facial details, socks, and shoes, marked 3093 O 1/2B, possibly Armand Marseille, 3.75''; and a bisque doll with painted facial details, socks, and shoes, marked O 2120, 3.5'', repaired; | 450 |
| 155 | (lot of 3) Circa 1920 Morimura Brothers bisque dolls including 2 bisque socket head dolls having painted features, blue and brown sleep eyes, open mouth with 2 teeth, one with tongue, on composition bent limb bodies, one marked MB (within circle) Japan, 15''; and a bisque head and shoulder plate doll with painted faical characteristics, blue fixed eyes, open mouth showing multiple teeth, on a cloth body, marked MB (within circle) Japan, 15'' | 350 |
| 156 | (lot of 7) German bisque shoulder heads, one with brown sleep eyes, the other with blue fixed eyes (repaired), both with painted facial details, marked Germany, and a French bisque socket head with brown sleep eyes, fur lashes, open mouth with 4 teeth, marked France stamped Jumeau; together with 2 china heads, half doll, and a porcelain head and shoulder china head style of a boy | 150 |
| 158 | Circa 1900 wax-over doll having a wax-over composition shoulder head with molded hair, cloth body, wax-over arms and hands, painted wood legs and feet, inset glass eyes, and a closed mouth, 17'' | 50 |
| 161 | Victorian high brow china head doll on cloth body with leather hands and stitched leather boots, 38'' | 200 |
| 162 | (lot of 2) Victorian low brow woman and man china head dolls, the woman is on a cloth body, 25''; and the man is on a cloth body with porcelain limbs, 28.5'' | 375 |
| 163 | (lot of 5) Victorian low brow china head dolls including cloth body and painted porcelain legs and feet, tear to left arm, losses to paint on back of head, 22''; molded porcelain collar and bow, cloth body with porcelain arms and legs, losses to paint on front and back of head, 19''; blonde low brow on cloth body with leather arms and feet, tear to right arm, 20''; cloth body with porcelain limbs, 15'', repaired right arm and foot; and a china head doll in Victorian dress with molded and painted bow, bisque limbs with painted boots, Humpty Dumpty Doll Hospital label stitched to body, 19'' | 325 |
| 165 | (lot of 4) Two Horsman dolls with sleep eyes, one of cloth body with composition head and limbs, losses to paint on face, and losses to feet, 13'', the other of plastic 16'', both marked Horsman; together with an American Character doll having a molded composition head and sleep eyes on a plastic body, 10''; plus an Effanbee ''Dy Dee'' doll, 10'' | 60 |
| 167 | (lot of 3) Shirley Temple composition doll with sleep eyes and an open mouth showing 5 teeth, marked Shirley Temple Ideal, 15''; together with 2 composition socket head dolls with blue sleep eyes, and one having an open mouth with 4 teeth, 20'', | 150 |
| 168 | (lot of 8) Doll body parts including 2 kid leather bodies, cloth body missing one limb, pair of kid legs, mechanical body with composition limbs, and a ball and jointed composition body, 23.5''; plus a strawberry blonde wig | 150 |
| 170 | Mack Pressed Steel Toledo Bull Dog Dump Truck Toy 28'' L. Circa 1925. Enclosed Mack front cab with original celluloid windshield and crank handle with original decals. Surface rust | 300 |
| 171 | Buddy ''L'' pressed steel Steam Shovel retaining original paint and decals, 20''w, surface rust | 100 |
| 172 | Pressed steel Buddy ''L'' firetruck with ladder, 39''l, surface rust | 350 |
| 173 | Two French Provincial style doll buffers, largest 30'' h | 150 |
| 174 | (lot of 4) H.D. Bradley folk art wood figures, ballet dancers each signed and dated on bottom of base, dates range from 1947-60, largest 9''h | 275 |
| 175 | (lot of 2) H.D. Bradley folk art wood figures, female nudes, each signed and dated on bottom of base, dated 1941 and 1960, largest 10.5''h | 70 |
| 176 | (lot of 3) H.D. Bradley folk art wood figures, ballet dancers, each signed and dated on bottom of base, dated 1950, 1952 and 1956, largest 11.5''h | 475 |
| 177 | (lot of 3) H.D. Bradley folk art wood figures, ballet dancers, each signed and dated on bottom of base, dated 1950, 1952 and 1956, largest 10.25''h | 450 |
| 178 | (lot of 2) H.D. Bradley folk art wood figures, women in long skirts, each signed and dated on bottom of base, dated 1944, and 1945, largest 9.75''h, missing parts of fingers on largest figure | 425 |
| 179 | (lot of 2) H.D. Bradley folk art wood figure, man with bottle, signed on bottom of base, together with a folk art wood sculpture of a horse by W. R. Johnston, man 9.75''h; horse 8.75''w | 70 |
| 180 | H.D. Bradley folk art wood sculpture, bust of a woman with closed eyes, signed and dated (1949) on back of base, 7.5''h | 90 |
| 181 | (lot of 5) H.D. Bradley folk art wood figures, largest 7.75''h, one figure with damage to nose and moustache | 60 |
| 182 | (lot of 4) H.D. Bradley folk art wood figures, circa 1940, largest 8.25'', figure with watering can (has broken arm) | 130 |
| 183 | H.D. Bradley folk art wood sculpture of a man's head in turban, signed and dated 1945, 6.5''h | 30 |
| 184 | (lot of 2) H.D. Bradley folk art wood nude female figures, each signed and dated on bottom of base, 1949 and 1951, largest 9.75''h | 70 |
| 186 | Post Modern Italian brass cantilevered arc light fixture with marble pedestal base, 77''h x 67''w x 12''d | 250 |
| 188 | Painted Arts and crafts framed stained leaded glass window with slag and ripple glass depicting stylized flowers, 27''h x 34.5''w | 175 |
| 190 | Persian Mashad, 11'2'' x 8'1'' | 200 |
| 191 | (lot of 5) Danish Modern walnut drop leaf table with two 10'' leaves, together with a set of four walnut side chairs upholstered in blue striped fabric, table 30''h x 29''w x 42''d, total with leaves and extended 91''w | 450 |
| 192 | Art deco sculpture figural group of three bronze German shepards mounted to a black marble base with light green onyx accents, 7.7''h x 20.5''w x 6.5''d | 80 |
| 193 | Chrome plated art deco cast metal smoking stand, with glass faux onyx accents and ashtray, 27.5''h x 10'' dia | 60 |
| 195 | Chrome plated art deco cast metal smoking stand, with glass faux onyx accents and ashtray, 28''h | 60 |
| 196 | Torchiere having a top stitched chocolate colored leather standard with gilt stencil decoration and brass ring mounts on square base with a marbled glass shade, 73.5''h | 130 |
| 197 | Persian Mashad, 5'8'' x 9'2'' | 200 |
| 199 | Tiffany style lily of the valley table lamp with 15-light violet color shades and patinated base, 21.5''h | 140 |
| 200 | Tiffany style lily of the valley table lamp with 15-light rose color shades and patinated base, 21.5''h | 140 |
| 201 | Tiffany style lily of the valley table lamp with 15-light violet color shades and patinated base, 21.5''h; one shade broken | 130 |
| 202 | Modern black lacquer side chair with circular mother of pearl inlay, 37.5''h x 21.5'' x 23''d | 150 |
| 203 | Art Deco style mirror table with clover shaped top etched in interlacing circles, with mosaic mirrored skirt and legs, 15.5''h x 27.5''w x 27.7''d; small chips from edge of top, losses to legs | 30 |
| 204 | Norwegian modern settee upholstered in tufted dark brown leather, ''Bruksbo AB'' Oslo Norway 117-75'', 27''h x 54.5''w x 30''d | 150 |
| 205 | Lolling chair circa 1940, with lattice carved arms, upholstered in blue fabric with iridescent green accents; 33''h x 25''w x 38''d | 200 |
| 206 | Mixed metal smoking stand with faux onyx base, stylized handle and pressed glass ash insert; 27''h | 70 |
| 208 | (lot of 2) Metal smoking stands, one with a brass base and a glass ashtray, the other cast iron without ashtray, largest 29.5''h | 100 |
| 209 | Persian Hamedan, 9'4'' x 7' | 225 |
| 210 | (Lot of 8) Cambridge Crown Tuscan figural glass centerpiece with nude, 13''d, together with a similar set of seven shell form compotes, 6.5''d | 175 |
| 211 | Quartersawn oak three section stacking lawyer's bookcase on moulded base, 43.5''h x 34''w x 12.5''d | 400 |
| 212 | Art deco cast metal smoking stand having faux onyx accents, electric lighter, 3 inset ashtrays and circular base; 27''h | 90 |
| 213 | Bronze sculpture of a mermaid ''Lorelei'' gesturing forward with wildly streaming hair, by Bobbie Carlyle, Edition of 60 (Carlyle Studios) on base; 31''h x 36''w x 56''d, website link: http://www.bobbiecarlyle.com/images/DetailPhotos/Carlyle_mermaid_detail.htm, retails for $27,000 | 2000 |
| 216 | Ebonized wood corner cabinet with floral decorated drawer, red interior rising on turned legs with pad feet, 72''h x 29''w x 17'' | 130 |
| 217 | Emerson small AC/DC portable tube radio model 646 with a moroon bakelite cabinet, 8''h x 9''w x 5''d; currently operating | 25 |
| 219 | (lot of 2) Vintage art deco Majestic tabletop tube radio with bakelite case, 11''w, currently operating, together with a vintage art deco tabletop tube radio in a walnut case, 12.5''w, currently not operating | 20 |
| 220 | Northwest Persian, 4'5'' x 8'9'' | 200 |
| 221 | Dining table comprised of antique door elements; 31''h x 63''w x 39.5''d | 130 |
| 222 | Set of 4 side chairs with wrought iron bases and wood frames with caned seats and backs | 250 |
| 223 | (Lot of 2) Modern decorative laquered plates with abstract decoration, one with repairs to lower center edge | 60 |
| 224 | Vintage 1940's California Northwest Packard-Bell Model 682 six tube tabletop radio in blond maple wood case with plastic knobs and carry strip, dial face with NW CA stations marked; 7.75''h x 12''w x 6.5''d | 40 |
| 225 | Louis XV style carved oak cabinet circa 1890 with glass door, 88''h x 37''w x 21.5''d (key in office) | 250 |
| 226 | Colonial style floor lamp with a tripod leg base, lamp has a chimney glass with a metal shade, 60''h | 25 |
| 227 | Victorian oak drafting table with 4 drawers, circa 1900, 38.5''h x 95''w x 34''d | 400 |
| 228 | Framed offset print, View of a River Valley, after Heinie Hartwig (Californian, b. 1939), pen signed and numbered lower right, overall: 20''h x 26''w | 70 |
| 229 | Framed offset print, Indian Encampment, after Heinie Hartwig (Californian, b. 1939), pen signed and numbered lower right, overall: 29''h x 34''w | 150 |
| 230 | Pair of amethyst hand blown glass lamps with finials, 31''h | 130 |
| 231 | (lot of 3) Bird mounts; Drake Pintail duck, Chinese Ring-necked Pheasant and Cinnamon Teal, largest 16.5''h x 34''w x 8''d | 175 |
| 233 | William Younger Ale Advertising glass panel in wood frame, 'Get Younger every day', with polychrome logo, 41''h x 39''w | 275 |
| 234 | White marble bas-relief sculpture, Leda and the Swan, signed E. Derre, in oak mount with Flemish floral motif, 12.25''h x 18.5''w x 4.25''d | 250 |
| 236 | Painted wood sculpture, ''Space Gamer'' (1985), by John Okulick (Californian, b.1947), signed and dated verso, John Berggruen Gallery label verso, 35''h x 60''w x 6''d | 2250 |
| 237 | Mahogany birdcage with shingled roof, openwork walls, graduated tiered base, and 3 double doored entrances preceded by turned columns; the front entrance having sunburst motif pediment; and the whole resting on detachable base with turned legs and lyre stretcher; 62''h x 40'' x 31'' | 225 |
| 238 | Vintage 1930s Philco Cathedral seven tube radio, model 20 with walnut case; 18''h x 16''w x 10''d | 120 |
| 240 | Vintage 1920's Colin B. Kennedy five tube radio, model XV, battery only, sloped front panel, includes an old speaker; 11''h x 22''w x 16''d(missing 2 tubes) | 70 |
| 244 | Vintage 1930s Atwater Kent tombstone seven tube radio, model 337 Am+SW, walnut cased; 18''h x 14.5''w x 9''d | 110 |
| 245 | Zenith 1955 Transoceanic portable tube radio model R600L with leather covered case, includes schematics and instruction booklet, AM+6 SW bands; 11''h x 17''w 7.5''d | 130 |
| 247 | Vintage 1930s Stuart Warner end table radio model 01-6D, six tubes with AM+2 SW, station push buttons; 23''h x 15.5''w x 9''d | 80 |
| 250 | Thai large folding four-panel painted screen, an unusual work with multiple registers of soliders, entertainers, townsmen and deities, one section with a long inscription in Thai, ink and color on fabric over a wooden framework, 72''h x 18''w [each panel] | 300 |
| 252 | Cherry steps made by The Bartley Collection, Ltd., with carved base, shell form marquetry, and brass handles; 14''h x 20''w x 18''d | 130 |
| 255 | Persian Shiraz, 9'8'' x 5' | 150 |
| 256 | Persian Hamadan, 9'2'' x 5'1'' | 250 |
| 257 | Persian Hamadan, 9'6'' x 5'1'' | 175 |
| 258 | Persian Belouch, 9'1'' x 5' | 250 |
| 259 | Persian Hamadan, 9'9'' x 5'1'' | 475 |
| 260 | Persian Garden Bakhtiari, 9'4'' x 4'7'' | 140 |
| 262 | Persian Hamadan, 9'7'' x 4' | 110 |
| 263 | Persian Hamadan, 8'9'' x 4'6'' | 130 |
| 264 | Persian Hamadan, 11'2'' x 4'2'' | 150 |
| 265 | Persian Hamadan, 9'6'' x 4'9'' | 325 |
| 266 | Persian Hamadan, 10'5'' x 5'2'' | 325 |
| 267 | Persian Shiraz, 9'8'' X 5'5'' | 300 |
| 268 | Persian Hamadan, 10'' x 5'2'' | 275 |
| 269 | Persian Hamadan, 10'6'' x 5' | 225 |
| 270 | Persian Korasan, 9'7'' x 4'6'' | 175 |
| 271 | Persian Belouch, 9'5'' x 4'9'' | 225 |
| 272 | Persian Hamadan, 9'5'' x 4'9'' | 225 |
| 273 | Persian Hamadan, 9'3'' x 4'9'' | 250 |
| 274 | Persian Hamadan, 9'6'' x 3'5'' | 70 |
| 275 | Persian Shiraz, 9'6'' x 4'7'' | 250 |
| 276 | Chinese Lilihan style runner, 2'7'' x 14'9'' | 100 |
| 278 | Persian Vees, 11'1'' x 7'4'' | 250 |
| 279 | Persian Hamedan, 10'3'' x 5'1'' | 250 |
| 281 | Chinese Bamboo motif rug 7'4'' x 4'5'' | 100 |
| 282 | Persian Hamedan, 11'3'' x 3'9'' | 250 |
| 283 | Indo Tabriz, 9'1'' x 6' | 200 |
| 287 | Pakistani Bokhara runner, 14'6'' x 2'8'' | 225 |
| 288 | ***DESCRIPTION INCORRECT IN CATALOG, SHOULD SAY CAUCASIAN GENGE*** Indo Gange with wear spots, 1930's | 1200 |
| 289 | Unframed oil on canvas, Harlequin, unsigned, overall: 41.5''h x 57.5''w. | 25 |
| 291 | Framed oil on canvas, Untitled (Red Mountain), by Walter Snelgrove (Californian, 1924 - ), unsigned, overall: 50''h x 67''w. | 375 |
| 292 | (lot of 2) Framed paintings by Walter Snelgrove (Californian, 1924 - ), unsigned, each overall: 42.5''h x 82''w: Oil on canvas, Untitled (Green Archways); and acrylic on canvas, Riatto (1985). | 550 |
| 293 | Framed oil on canvas, Untitled (Nude on a Beach), by Walter Snelgrove (Californian, 1924 - ), unsigned, overall: 56.5''h x 77''w. | 475 |
| 295 | Framed oil on canvas, Meadow (1984) by Walter Snelgrove (Californian, 1924 - ), unsigned, overall: 42.5''h x 82''w. | 950 |
| 296 | Framed oil on canvas, ''Green Painting'' by Sarah Grillo (contemporary), signed and inscribed verso, overall: 44.5''h x 40.5''w. | 3000 |
| 297 | Framed oil on canvas, ''Stormy Clouds,'' by Kennard M. Harris (American, 20th/21st century), monogrammed lower left, inscribed verso, overall: 32''h x 36''w. | 250 |
| 298 | (lot of 2) Framed acrylics on canvas, ''Club House'' and ''Temple'' (1984) by Walter Snelgrove (Californian, 1924 - ), unsigned, each overall: 42.5''h x 80.5''w. | 350 |
| 299 | Framed oil on panel, ''White Door,'' by Kennard M. Harris (American, 20th/21st century), monogrammed center left, inscribed verso, overall: 39''h x 32''w. | 650 |
| 300 | Framed oil on paper laid to board, ''The Red Wall,'' by Kennard M. Harris (American, 20th/21st century), monogrammed lower left, inscribed verso, overall: 35''h x 31.5''w. | 600 |
| 301 | Framed oil on canvas, ''Gray Mood,'' by Kennard M. Harris (American, 20th/21st century), monogrammed lower right, inscribed verso, overall: 32.5''h x 38.5''w. | 225 |
| 302 | Framed oil on canvas, ''Arrangement with Checkboard,'' by Kennard M. Harris (American, 20th/21st century), monogrammed lower right, inscribed verso, overall: 32''h x 38''w. | 140 |
| 303 | Framed oil on canvas, ''La Comedie Francaise,'' by Kennard M. Harris (American, 20th/21st century), monogrammed lower right, inscribed verso, overall: 41''h x 35''w. | 500 |
| 304 | Framed oil on canvas, ''Intoxication,'' by Kennard M. Harris (American, 20th/21st century), monogrammed lower right, inscribed verso, overall: 33''h x 30''w. | 325 |
| 305 | Framed oil on paper laid to board, ''Pink Wall,'' by Kennard M. Harris (American, 20th/21st century), monogrammed lower left, inscribed verso, overall: 37''h x 32''w. | 1900 |
| 306 | Framed oil on canvas laid to board, ''Bags,'' by Kennard M. Harris (American, 20th/21st century), monogrammed lower right, inscribed verso, overall: 34.5''h x 31.5''w. | 500 |
| 307 | Framed oil on canvas laid to board, ''Vertical Balance,'' by Kennard M. Harris (American, 20th/21st century), monogrammed lower right, inscribed verso, overall: 33''h x 29''w. | 1200 |
| 308 | Framed oil on canvasboard, ''Ripeness,'' by Kennard M. Harris (American, 20th/21st century), monogrammed lower right, unsigned, inscribed verso, overall: 40.5''h x 29.5''w. | 300 |
| 309 | Framed oil on board, ''Newspaper on Green,'' by Kennard M. Harris (American, 20th/21st century), monogrammed lower right, unsigned, inscribed verso, overall: 35''h x 45''w. | 800 |
| 310 | Framed oil on canvas, ''Red and Yellow,'' by Kennard M. Harris (American, 20th/21st century), monogrammed center left, unsigned, inscribed verso, overall: 33''h x 28''w. | 850 |
| 311 | Framed oil on canvas, Hotel Paris, by Pierre (France, 1927 - ), unsigned, artist label affixed verso, overall: 32.5''h x 56.5''w. | 325 |
| 312 | Framed large Chinese panel painting, 20th century, depicting a mountainous landscape with rustic dwellings sheltered by lush autumn foliage, the top with a long poetic colphon, with date and signed [unread], with four seals, overall: 33''h 30'' x 64''w (painting 27''h x 54''w) small hole | 45 |
| 313 | Framed assemblage, ''Autumn Construction: Japan Style'' by Cassandra Light (contemporary), unsigned, overall: 48''h x 35''w. | 110 |
| 314 | Framed assemblage, ''Winter Construction: Japan Style'' by Cassandra Light (contemporary), unsigned, overall: 48''h x 35''w. | 120 |
| 315 | Framed alabaster relief sculpture, Renaissance-style Composition, unsigned, overall: 24.5''h x 20.5''w. | 200 |
| 316 | Framed oil on canvas, Bathers #17 (2005), by Sandra Lane (Californian 26th Century), signed, titled, and dated verso, overall: 36''h x 36''w | 150 |
| 317 | Framed oil on canvas, Rocky Hill, after Charles Harold Davis (American, 1856-1933), Contemporary, overall: 29''h x 40''w | 110 |
| 318 | (lot of 2) Framed color woodblock prints, ''Sortie,'' numbered 24/75 lower left, overall: 26''h x 32''w and ''Northeaster,'' numbered 15/70 lower left, overall: 26''h x 32''w, both pencil signed Jacquemain lower right | 425 |
| 321 | Framed oil on canvas, Portrait of a Woman, manner of Tamara de Lempicka, contemporary, signed indistinctly lower right, overall: 29.5''h x 25.5''w. | 70 |
| 322 | Framed oil on canvas, Floral Still Life, unsigned, overall: 26''h x 22''w. | 30 |
| 323 | Framed oil on canvas, ''Open Desert (Cathedral City, CA), attributed to William S. Darling (Californian, 1882-1963), signed indistinctly lower right, sight: 2.5''h x 29.5''w, overall: 27.5''h x 35''w | 275 |
| 325 | (Lot of 2) Framed serigraphs by Elton Bennett (American, 1910-1974), ''Ferns'' and ''Hurrying Feet,'' each pencil signed lower left, titled lower right, each overall: 25.25''h x 31.25''w. | 475 |
| 326 | Framed hand-colored lithograph, Forest Scene on the Lehigh, published by Currier and Ives, plate: 15''h x 20''w, overall: 25''h x 29''w | 250 |
| 327 | Framed color lithograph, ''The Great Conemaugh Valley Disaster - Flood and Fire at Johnstown, PA (1890-),'' published by Kurz and Allison (Chicago), plate: 17.5''h x 25''w, overall: 24.5''h x 31''w | 225 |
| 329 | (Lot of 3) Framed lithographs, Portraits of Civil War Generals, by Currier and Ives: Lieutenant General U.S. Grant; Major General Philip h. Sheridan; Major General William T. Sherman; overall (largest): 20''h x 16''w | 300 |
| 330 | (Lot of 2) Hand colored engravings: ''Monastery at Kelso,'' engraved by S. Middiman after T. Hearne, published 18/19th Century; ''Lanercost Priory,'' engraved by W. Byrne after T. Hearne, published 18/19th Century , sight: 11.5''h x 8.5''w, overall: 17''h x 13.5''w. | 30 |
| 331 | Framed color lithograph, The Great Ocean Yacht Race, published by Currier and Ives, overall: 25''h x 34''w. Condition: extensive toning and repairs | 200 |
| 332 | Framed hand-colored lithograph, American Country Life: Summers Evening, published by Nathaniel Currier (American, 1813-1888), plate: 16.5''h x 24''w, overall: 29''h x 35''w | 800 |
| 334 | (Lot of 3) Framed hand-colored lithographs, Civil War Scenes, published by Currier and Ives: ''Battle of Mill Spring, Ky.''; ''The Battle of Antietam, Md.''; ''The Soldiers Dream of Home''; overall: 15''h x 19''w | 200 |
| 335 | Framed hand-colored lithograph, Winter Morning (1861-), published by Currier and Ives, overall: 15''h x 19''w | 275 |
| 337 | (Lot of 2) Framed color lithographs, published by Kurz and Allison (Chicago): Battle of Tippecanoe (1889-); Battle of New Orleans (1890-); plate: 17.5''h x 25''w, overall: 24.5''h x 31''w | 200 |
| 338 | (Lot of 2) Framed hand-colored lithographs, Cartoons, published by Currier and Ives: ''The Point of the Joke'' (1879-); ''The Butt of the Jokers'' (1879-); overall: 15.5''h x 20''w | 60 |
| 339 | (Lot of 2) Framed hand-colored lithographs, Depicting the Chicago Fire, published by Currier and Ives: ''The Burning of Chicago'' (1871-); ''Chicago in Flames''; plate: 8.5''h x 12.5''w, overall: 13''h x 17''w | 950 |
| 340 | (lot of 2) Framed gouaches, Portrait of Man and Wife, likely 18th century, unsigned, each overall: 15''h x 12.25''w. | 275 |
| 341 | (Lot of 2) Framed hand-colored lithographs published by Nathaniel Currier (American, 1813-1888): ''The Ferry Boat''; ''Harvest'' (1849-); overall (largest):14.5''h x 19''w | 200 |
| 342 | (lot of 4) Framed fashion plates, 19th century, some inscribed, each overall: 13''h x 10.75''w. | 20 |
| 343 | (lot of 4) Framed photographs, Supreme Court Justices: Charles Evans Hughes, Harlan Stone, Curtis D. Wilbur, and William Douglas, each signed, inscribed and dated, each overall: 14''h x 11''w. | 500 |
| 345 | Framed 18th century engraving, ''Bishop of Winchester'' after a sculpture by J. Houbraken, inscribed within plate lower center, overall: 20''h x 14''w. | 25 |
| 346 | (Lot of 2) Framed etchings and aquatints, Village Scenes, one signed Pascal lower right, overall: each 14''h x 15''w. | 45 |
| 347 | (lot of 2) Framed handcolored engravings, Equestrians, unsigned, each overall: 15.5''h x 18.5''w. | 90 |
| 348 | Framed oil on board, Park on the French Riviera, signed M. Racim lower right, overall: 27''h x 35''w | 45 |
| 349 | Framed oil on Masonite, Hillside, signed M. Rogers lower right, possibly Margaret Rogers (American, 1872-1961), overall: 22.5''h x 28.5''w. | 225 |
| 350 | Framed oil on canvas, ''Want to Take a Hike?'' by Nancy Hollsmith (contemporary), signed lower right, signed and inscribed verso, overall: 25.5''h x 25.5''w. | 45 |
| 351 | Framed oil on board, Forest Pool, signed Leupold lower right, sight: 29.5''h x 23.5''w, overall: 34''h x 28''w | 250 |
| 352 | Framed oil on canvas, Poplar Tree, unsigned, contemporary, overall: 20''h x 15.75''w. | 50 |
| 353 | Framed oil on canvas, Pine Trees, after Ivan Shishcan (Russian, 1832-1898), overall: 20''h x 15.75''w. | 60 |
| 354 | Framed 19th century oil on canvas, Waterfall, signed M. Castle lower right, overall, 28''h x 20''w. | 60 |
| 355 | Framed oil on board, Landscape, by Zoe Thompson (contemporary), signed lower right, overall: 19''h x 23''w. | 60 |
| 356 | Framed oil on canvas, Autumn in Vermont, signed indistinctly and dated 1886 lower left, titled verso, sight: 19''h x 13''w, overall: 27''h x 21''w | 200 |
| 357 | Framed oil on canvas, Winter Storm, signed indistinctly lower right (D. Krinify?), overall: 18.5''h x 22.5''w. | 100 |
| 358 | Framed oil on board, Mountain Scene, signed indistinctly and dated (7/7/44?) lower left, overall: 14.75''h x 17.5''w. | 45 |
| 359 | Framed oil on canvas, Haitian Scene, signed indistinctly lower right, overall: 24''h x 36.5''w. | 45 |
| 360 | Framed oil on board, Coastal Landscape, by Harold H. Newsom (Californian, 1889-1944), signedlower right, overall: 18''h x 21.5''w. | 150 |
| 361 | Framed oil on board, Riverfront Village, by Andreas Betz (German), signed and inscribed ''Munchen'' lower right, sight: 11''h x 15.5''w, overall: 16''h x 21''w. | 60 |
| 362 | Framed oil on board, Stream, unsigned, overall: 19''h x 23.5''w. | 80 |
| 363 | Framed mixed media on board, Twilight, signed M. Flaherty lower right, overall: 26.5''h x 32.5''w. | 30 |
| 364 | Framed oil on board, Landscape, signed W. Earle Bell lower left, 24''h x 30''w. | 45 |
| 365 | Framed oil on board, ''The Last Frontier'' by Edna Spangler (Californian), signed lower right, overall: 31.5''h x 37.5''w. | 90 |
| 366 | Framed oil on canvas, Landscape with Pond, signed J. Sato and dated July, 1949 lower left, overall: 26.5''h x 29.5''w. | 25 |
| 367 | Framed oil on canvas, Path with Trees, signed H Rip K lower right, overall: 22.5''h x 18.5''w. | 40 |
| 368 | Framed pencil drawing on blue paper, Sconce, signed N. Freeman and dated 1852 lower right, sight: 14.75''h x 10.75''w, overall: 16''h x 12''w | 50 |
| 369 | Framed oil board, Trees with Waterfall, signed Allen lower left, overall: 29.5''h x 35.5''w. | 110 |
| 370 | Framed oil on canvas, Field of Flowers, signed T. Inargen and dated '80 lower right, overall: 25.5''h x 29.5''w. | 200 |
| 371 | Framed oil on board, Still Life with Roses, by Mary Creamer (American, 20th century), signed lower right, overall: 28''h x 32''w | 100 |
| 372 | Framed oil on canvas, Floral Still Life, signed D'Anzir lower right, overall: 24''h x 28''w. | 100 |
| 373 | Framed oil on board, Floral Still Life, signed K. Fenton lower right, overall: 20.75''h x 16.75''w. | 20 |
| 374 | Framed oil on canvas, Almond Blossoms in a Glass, after Vincent Van Gogh (Dutch, 1853-1890), contemporary, unsigned, overall: 24''h x 19.75''w. | 50 |
| 376 | (lot of 2) Framed oils on canvas, by Loveline Coleman: Framed Floral Still Life, signed and dated (1905) lower right; Nocturnal Still Life, each overall: 20''h x 24''w. | 70 |
| 377 | Framed oil on canvas, Mountain Landscape, signed indistinctly lower right (G. Anengel?), overall: 18.5''h x 28''w. | 25 |
| 378 | Framed oil on canvas, Mountains, signed Augusta Fae Osborn and dated 9/33 lower right, overall: 17.5''h x 15''w. | 25 |
| 379 | Framed oil on board, Monk Reading, Italian, 20th century, signed indistinctly (Siognamiglia?) lower right, overall: 24''h x 40.5''w. | 200 |
| 381 | Framed oil on canvas, Crashing Waves, after Franz Bischoff (Californian, 1864-1929), Contemporary, overall: 21''h x 24''w | 120 |
| 383 | Framed oil on canvas, Sea and Rocks, after Franz Bischoff (Californian, 1864-1929), Contemporary, overall: 27''h x 32''w | 80 |
| 384 | Framed oil on board, Mediterranean Scene, signed Ana Marian Lianiz lower left, overall: 11''h x 12''w. | 35 |
| 386 | Framed oil canvas, Golden Gate Bridge, signed Livingston lower left, overall: 41.5''h x 29.5''w. | 70 |
| 387 | Unframed oil on canvas, Harbor Life, after Frederick John Mulhaupt (American, 1871-1938), contemporary, unsigned, overall: 30''h x 40''w. | 250 |
| 388 | Framed oil on canvas, ''Flowers'' by Constantine Cherkas (Californian, 1919 -), signed and dated '76 lower left, overall: 35''h x 29''w. | 375 |
| 389 | Framed watercolor, Abstract, by Leah Rinne Hamilton (American, 1906-1960), signed lower right, sight: 15''h x 19''w, overall: 25.5''h x 21.5''w. | 300 |
| 390 | Framed oil on canvas, Still Life with Fruit, by Clara Siracusa, signed and dated '64 lower right, overall: 30''h x 36''w | 20 |
| 391 | Framed oil on canvas, Interior with Glass Doors, after Carl Vilhelm Holsoe (Danish, 1863-1935), contemporary, unsigned, overall: 32.5''h x 29.5''w. | 175 |
| 393 | Framed oil on canvas, Shoreline, signed John Correll lower right, overall: 31''h x 37''w. | 225 |
| 394 | Framed oil on canvas, Still Life, signed Mansfield lower left, 20th century, overall: 32''h x 44''w. | 20 |
| 395 | Framed oil on canvas, Seascape, signed A. Lorenz lower left, overall: 29.5''h x 35.5''w. | 120 |
| 397 | Framed oil on canvas, Floral Still Life, signed Idka lower left, overall: 36''h x 19.5''w. | 45 |
| 398 | Framed oil on canvas, Shipyard, signed F. Scalise lower right, overall: 21.5''h x 27.5''w. | 50 |
| 399 | Framed oil on canvas, Ship on High Seas, signed Tom Thrall lower right, overall: 38''h x 26''w | 20 |
| 400 | Framed oil on canvas, Alpine Landscape, signed Hahn lower left, inscription on label verso, overall: 23.5''h x 31.5''w. | 30 |
| 401 | Framed oil on board, Hillside with Poppies, signed Nelle O'Neil lower right, overall: 20''h x 26.5''w. | 275 |
| 402 | (lot of 4) Framed oils on board, Roosters, Ducks, Still Life, Landscape, and Bunnies, unsigned, largest overall: 14.5''h x 12.5''w. | 110 |
| 403 | Framed oil on canvas, Polynesian Scene, unsigned, overall: 30''h x 36''w. | 475 |
| 404 | Framed oil on canvas, Iron Cauldron and Glass Vase, after Emil Carlsen, (Danish 1853-1932), contemporary, unsigned, overall: 24.5''h x 20.5''w. | 60 |
| 405 | Framed oil on paper, ''Variations on Tulips and Onions,'' by Kennard M. Harris (Californian, 1974-), overall: 21.5''h x 19.5''w. | 70 |
| 407 | Framed oil on canvas, Painter's Materials, after Samuel John Peploe (Scottish, 1871-1935), Contemporary, overall: 19''h x 23.5''w | 90 |
| 408 | Framed oil on canvas, Library at Breau, after Walter Gay (American, 1856-1937), unsigned, contemporary, overall: 24.5''h x 20.5''w. | 200 |
| 410 | Framed acrylic on fiberboard, The Samovar, By Mario Larrinaga (Californian, 1895-1979), signed 1ower right and verso, sight: 17.5''h x 11.5''w, overall: 25''h x 19''w | 250 |
| 411 | Framed oil on canvas, Parisian Street Scene, by Antonio Devity (Italian, 1901-1980), signed lower right, stamped verso, overall 16''h x 20''w | 150 |
| 412 | Framed oil on canvas, Interior with a Blue Sofa, after Patrick William Adam (Scottish, 1854-1929), unsigned, contemporary, overall: 19.75''h x 15.75''w. | 200 |
| 413 | Framed oil on canvas, Still Life with Beer Stein, signed Miriam Stein lower right, overall: 20''h x 16''w. | 35 |
| 414 | (lot of 2) Framed oils on canvas board, ''Still Life with Rose'' and ''Still Life with Rose: Later'' by Kennard M. Harris (American, 20th/21st centuries), one monogrammed lower right, each overall: 23''h x 27''w. | 300 |
| 416 | Framed oil on board, ''Iron Age'' by Kennard M. Harris (American, 20th/21st centuries), monogrammed lower right, overall: 23''h x 18''w. | 350 |
| 417 | Framed oil on board, Night Gale, by Kennard M. Harris (American, 20th/21st centuries), monogrammed lower left, overall: 27''h x 23''w. | 25 |
| 418 | Framed oil on board, ''Still Life: 10am'' by Kennard M. Harris (American, 20th/21st centuries), monogrammed lower right, inscribed verso, overall: 15''h x 18''w. | 25 |
| 421 | Framed oil on board, Still Life with Roses, attributed to Roberto Lauro (British, 1932 - ), signed R. Lauro and dated 1952 lower right, overall: 20''h x 24''w. | 25 |
| 422 | Framed handcolored photogravure, Lone Cypress, circa 1930, overall: 13.5''h x 22''w. | 140 |
| 423 | Framed oil on canvas board, ''Fisherman's Church - Genoa'', circa 1960, signed indistinctly (Vinkey?) lower right, titled verso, overall: 15''h x 19''w. | 25 |
| 424 | Framed oil on board, Autumn Landscape, unsigned, overall: 17.5''h x 21''w. | 20 |
| 426 | Framed oil on Masonite, 1920's U.S. Mail Truck and Planes, by Joseph Hunt (American, 20th century) signed and dated 1967 lower right, overall: 8''h x 18.5''w. | 275 |
| 427 | Framed oil on canvas, Folk Portrait of a Young Girl, unsigned, overall: 30.5''h x 21''w. | 150 |
| 429 | Framed oil on canvas, At the Shore, signed Martin Miller and dated '92 lower left, overall: 19''h x 41''w. | 175 |
| 430 | Framed oil on canvas, Self Portrait, by Elmo Brule (American, 1917 - ), signed lower right, overall: 21.5''h x 17.5''w. | 100 |
| 431 | Framed watercolor, Sierra Landscape, signed E.C. Peterson and dated 1967 lower right, overall: 20.5''h x 25''w. | 30 |
| 433 | Framed watercolor, Three Owls, signed Jarm Yadem lower right, overall: 16.5''h x 20.5''w. | 25 |
| 434 | Framed watercolor, Boatyard, signed Fawn lower right, overall: 14''h x 17''w. | 20 |
| 435 | Framed watercolor, Paris Street Scene, by Henry Sugimoto (Japanese/American, 1904 - 1990), signed and inscribed lower left, overall: 16.75''h x 20.75''w. | 850 |
| 436 | (lot of 2) Framed watercolors: Alley by the Church, signed G. Taramillo Angel lower right; Gate, signed indistinctly lower right, each overall: 19.25''h x 15.25''w. | 35 |
| 437 | Framed watercolor, Abstract, signed J. Bihler and dated '84 lower left, overall: 35.25''h x 31.25''w. | 30 |
| 438 | Framed watercolor, Floral Still Life, signed Fies lower right, overall: 29.5''h x 22''w | 15 |
| 439 | Framed silkscreen print, Inuit Image, by Daphne Odjig (Canadian, 1919 - ), signed lower right, overall: 18.25''h x 14.25''w. | 150 |
| 440 | (Lot of 2) Framed serigraphs, ''Skunks'' and ''Navajo Weavers,'' by Harrison Begay (American, 1917-), plate signed lower right, sight (largest): 12''h x 10''w, overall (largest): 18''h x 16''w | 25 |
| 441 | Framed watercolor, Bridges and Tugboats, in the manner of Otis Oilfield, unsigned, overall:19''h x 23''w | 120 |
| 442 | Framed watercolor, Sailboats, unsigned, overall: 12.75''h x 17.75''w. | 50 |
| 444 | Framed watercolor, Landscape with Pine Trees, by Viktor Pribwlovsky, signed and dated 1957 lower left, overall: 17''h x 14.5''w. | 25 |
| 445 | (Lot of 2) Framed watercolors: pair of small landscapes, signed Coulter and dated 1941 and 1946, overall: 15''h x 10''w; miniature landscape by Kenneth Siqueira (Californian, 20th century), signed lower right, overall: 8''h x 8''w. | 50 |
| 446 | Framed watercolor, Sailboat by the Shore, 19th century, unsigned, overall: 20.5''h x 9.5''w. | 25 |
| 447 | Framed watercolor, ''The Ploughman Homeward Plods his Weary Way,'' British 19th century, titled and inscribed ''Marychurch near Torquay'' verso, sight: 8''h x 5.75''w, overall: 14''h x 11''w | 50 |
| 448 | Framed watercolor, ''Betsui'' [Portrait of Native American Child], by Bill Bender (Californian, 1919-), signed lower right, sight: 7.5''h x 10.5''w, overall: 17''h x 19''w | 100 |
| 449 | Framed watercolor, ''Autumn in the Willamette Valley,'' by Justin Faivre (Californian, 1902-1990), signed and dated '68 lower left, inscribed verso, overall: 13''h x 17''w | 50 |
| 450 | Unframed watercolor, Abstract Landscape, by Albert Clymer (Californian, 1942 - ), signed lower right, overall: 18''h x 23.5''w. | 250 |
| 452 | Framed oil on canvas, Spring Flowers of the Anza Borrego Desert (March 7, 1994), by John Weidenhamer (Californian, 1944-), signed and titled verso, overall: 33''h x 47''w. | 50 |
| 453 | Framed oil on canvas, Delta Landscape, inscribed Bev Rowe verso, signed Rowe lower right, overall: 31''h x 38.5''w. | 120 |
| 454 | Framed oil on canvas, Seascape - Steel Ocean, after William Trost Richards (American, 1833-1905), unsigned, contemporary, overall: 33''h x 44.5''w. | 200 |
| 457 | Framed aquatint, ''Bay Bridge - Embarcadero, San Francisco'', signed indistinctly upper right, overall: 24''h x 28''w. | 80 |
| 459 | Framed watercolor, Bamboo, signed Sharon Hinckley lower right, overall: 30''h x 38''w | 50 |
| 460 | Framed watercolor, ''Sunset Reflections,'' signed Lober and dated '83 lower left, overall: 28.5''h x 36''w. | 20 |
| 461 | Framed pastel on board, Landscape, signed K. Gorbator and dated 1935 lower right, overall: 27''h x 30''w. | 25 |
| 462 | Framed watercolor, Modern Landscape, by Noal Betts (American, 20th Century), signed and dated '72 lower left, overall: 23''h x 31''w. | 70 |
| 463 | Framed watercolor, Rural Landscape, by Frank Serratoni (Californian, 1908-1970), signed lower center, overall: 25.5''h x 30''w. | 60 |
| 464 | Framed watercolor, Harbor Scene, signed indistinctly lower right, overall: 9.5''h x 11.5''w. | 25 |
| 465 | Framed watercolor, Field with Bridge, unsigned, overall: 9.75''h x 16.5''w. | 25 |
| 466 | Framed watercolor, Spring Blossoms, by Fukutaro Terauchi (Japanese, 1891-), signed lower right, Yamatoya Fine Art Gallery (Japan) label affixed verso, sight: 16''h x 11''w, overall: 22''h x 17''w | 90 |
| 469 | Framed watercolor and pencil, Golden Gate Bridge, by Joe Jones (American, 1934-1993), signed lower right, overall: 21''h x 26''w. | 275 |
| 470 | Framed watercolor, Church, by Fred Klepich (Californian, 1915-1980), initialed lower right, photo of subject attached verso, overall: 13.75''h x 16.75''w. | 60 |
| 471 | Framed watercolor, Venice, signed indistinctly lower left, overall: 17''h x 23''w. | 140 |
| 472 | Framed watercolor, Landscape of Town, Yuzuru Henry Sugimoto (Californian, 1900-1990), signed lower left, overall: 15.5''h x 22.5''w. | 1000 |
| 473 | Framed linocut, ''Iris,'' by Henry Evans (Californian, 1918-1990), signed and dated 1980 lower right, artist's proof, overall: 26''h x 20''w. | 100 |
| 474 | (lot of 2) framed colored etchings and aquatint: ''Alpine Village'', by Josef Eidenberger (Austrian, 1899-1991) #313, pencil signed lower right; ''Wartburg,'' by Rudolf Veit (German, 1892-), pencil signed lower right, largest overall: 19''h x 15.5''w. | 100 |
| 475 | (lot of 2) framed colored etchings and aquatint: ''Roman Ruins,'' ''Lower Vendor, la Madeleine, Paris,'' each pencil signed indistinctly lower right and left, largest overall: 15''h x 18.5''w. | 30 |
| 477 | Framed etching and aquatint, Balcony View, by Luigi Kasimir (Austrian, 1881-1962), estate signed lower center, overall: 21''h x 24''w. | 250 |
| 478 | Framed color etching, ''Krumau, #73'' by Josef Eidenberger (Austrian, 1899-1991), pencil signed lower right, overall: 20''h x 17''w. | 90 |
| 479 | Framed etching, House on River, by Charles Harry Eaton (American, 1850-1901), plate signed and dated '88 lower left, pencil signed loewr right, overall: 19''h x 27.5''w. | 70 |
| 480 | (lot of 4) Framed etchings and aquatint: ''Creation Myth;'' ''A Chance Encounter;'' ''Chevy;'' ''Untitled;'' by Eduardo Gutekunst, all pencil signed, titled and numbered, largest overall: 23''h x 25''w. | 80 |
| 481 | Framed etching, ''Corner of Powell and Market Streets,'' by Rexford Holmes, plate and pencil signed lower right, overall: 12''h x 14''w. | 50 |
| 482 | Framed pencil drawing and watercolor, Central Park, inscribed R.Nov. 10, 1919 lower left, overall: 15.75''h x 11.75''w. | 100 |
| 483 | Framed etching, Cathedral, pencil signed _ Lean lower right, overall: 9.5''h x 10''w. | 5 |
| 486 | (lot of 2) framed oil on canvas, European Street Scene, signed A. Rutgers, overall: 15''h x 13''w. | 120 |
| 489 | Framed set of three photogravures, Early 19th century idyllic family life, by Maude Goodman (British, 1860-1938), plate signed and dated '97 lower center, overall: 17.5''h x 38.5''w. | 25 |
| 491 | Framed pencil and crayon drawing, Female Figure, attributed to Edmund Quincy (American, 1903-1997), unsigned, overall: 19''h x 17''w. | 25 |
| 492 | Framed color lithograph, ''The Nileometer, Island of Rhoda,'' by David Roberts (Scottish, 1796-1864), signed lower right, titled lower left, overall: 22.5''h x 18''w. | 100 |
| 493 | Framed engraving, ''Tom Jones Assisting Molly Seagrim,'' by W. Woollett and F. Bartolozzi, 1776, overall: 16.5''h x 14.5''w., foxing | 70 |
| 494 | (lot of 2) Framed etchings, Peasants by a Tree, after Adriaen van de Velde; ''The Shepherd behind the Tree'', after Karl du Jardin, largest sight: 8''h x 10.5''w, largest overall: 18''h x 22''w. Note: The paper used in both works bears the ''Fortune'' watermark, which was used by the Dutch Fortuyn paper mill from 1774-1837, according to the National Gallery of Art, Australia. These works likely date from that time period. | 120 |
| 496 | Framed etching and aquatint, Paris: Le Pont des Arts avec Remoqueurs (1927-), by Paul Signac (French, 1863-1935), plate signed lower left, plate: 4.9''h x 7.5''w, overall: 10''h x 12''w | 120 |
| 497 | Framed print, Man Reading, by Jozef Israels (Dutch, 1824-1911), signed lower left, overall: 12''h x 13.75''w. | 70 |
| 498 | Framed color etching, Street in Montmartre, signed indistinctly lower right, overall: 14''h x 11''w | 30 |
| 500 | (lot of 2) Framed etchings, Trees and Birches, by Lyman Byxbe (American, 1886-1980), each signed lower right, each overall: 10.5''h x 8.5''w. | 60 |
| 501 | (lot of 2) Framed watercolors, Horses, and Man, and ''Man Seated on a Bench'' by Lugi Carnevoli (1884- )signed on left, each overall: 14''h x 18''w. | 25 |
| 503 | Framed etching, ''La Nina del Retrato'', by Leticia Terrago (Mexican, 1923 - ), pencil signed lower right, numbered 7/25 lower left, titled lower center, overall: 21''h x 17''w. | 60 |
| 504 | Framed etching, ''First Church of Christ, Scientist'', signed Edna Newell lower right, titled lower left, overall: 14''h x 12''w. | 10 |
| 505 | Framed ink and graphite drawing, Barn and Carriage, signed Scott Bennett lower right, overall: 17''h x 21''w. | 20 |
| 506 | (lot of 3) Framed copper plate engravings by Marcus Elieser Block (French, 1723-1799), each plate captioned, from his ''Ichthyologie Historie Naturelle...Poissons,'' (pub. 1790): ''Perca Zingel'', ''Cottus Scorpius'', and ''Cyrinus Buggenhaiil'', largest overall: 20''h x 26''w. | 500 |
| 507 | Framed lithograph, ''Masquerade,'' by Charles Bragg (American, 1931-), pencil signed lower right, titled lower center, numbered 38/175 lower left, overall: 28''h x 25''w | 110 |
| 508 | Framed aquatint, ''The Coronation of his Majesty, George the Fourth'', 1822, unsigned, captioned lower center, published by R. Boyer, 74 Pall Mall, overall: 23''h x 27''w. | 110 |
| 509 | Framed watercolor, Sailing, signed Taranchis lower right, overall: 18''h x 24''w. | 175 |
| 510 | (Lot of 2) Framed lithographs, ''Blacksmith Shop'' and Woman Mending, by Carl Heilborn (Californian, 1906-1954), each signed lower left, each overall: 17''h x 15''w. | 25 |
| 511 | Framed mezzotint, ''The Royal Academy of Arts, 1768,'' by Richard Earlom (British, 1743-1822), plate signed, overall: 24''h x 32''w | 275 |
| 513 | Framed watercolor, European Town Scene, signed indistinctly lower right, overall: 19''h x 15''w. | 20 |
| 515 | Framed oil on canvas, Riverfront Landscape, by Lydia Vercinscky (Californian, 1918-2001), signed lower right, overall: 44''h x 56''w. | 300 |
| 517 | Framed digital print, ''My Romance'', signed Keiko Kimura and dated '88 lower right, titled lower center, inscribed E.A. lower left, overall: 20''h x 20''w. | 5 |
| 518 | Framed lithograph, ''Reclining Greek: Contour Study II'', inscribed PBA lower center and in plate lower left, overall: 18''h x 22''w. | 60 |
| 519 | (lot) One framed and many unframed original Hanna Barbera animation cels and drawings including: ''Yogi Bear'', ''Partridge Family 2200AD'' and ''Speed Buggy'', some inscribed, each overall approximately: 10.5''h x 13''w. | 60 |
| 520 | Framed color etching, Apple Face, by Kiyomi Kato, signed lower right, numbered 11/30 lower left, overall: 22''h x 18''w. | 25 |
| 521 | (lot of 2) Framed mixed media, San Francisco/Stinson Beach Scene, after A.G. Rider, bears signature lower right, titled and dated 1970 lower right; Framed lithograph, Sailboats, by Peter Tomlinn, signed lower right, numbered 311/375 lower left, overall: 31''h x 35''w. | 45 |
| 522 | Framed aquatint with embossed embellishments, ''Seacoast'', signed Heyman lower right, numbered 27/95 and dated 1962 lower left, titled lower center, overall: 26''h x 28''w. | 25 |
| 524 | Framed lithograph, after Pablo Picasso, bears pencil signature lower right, overall: 19''h x 24''w. | 45 |
| 526 | Framed photoreproduction, Cascading River, after Robert Atkinson Fox (American, 1860-1935), plate signed lower left, overall: 17.5''h x 13.''w. | 90 |
| 527 | Framed vintage lithograph in original frame, ''The Dinkey-Bird'', after Maxfield Parrish, early 1900's, overall: 16.5''h x 12.5''w. | 110 |
| 528 | Framed mixed media on paper, Adam and Eve, by Pieter van der Westhuizen (South African, 1931), signed lower right, inscribed ''For Suzanne'' lower left, overall: 25.5''h x 21.5''w. | 200 |
| 529 | Framed offset print, Golfing at the Presidio, by Bruce Lattig (Californian, 1933-), pencil signed lower right, numbered 44/300 lower left, overall: 24.5''h x 30.5''w. | 25 |
| 530 | Framed charcoal drawing, ''Boat on a Calm River,'' by George Meunier (Karl Robert) (French, 1869-1942), signed Karl Robert lower left, 36.5''h x 27''w. | 110 |
| 531 | Framed color lithograph, ''Elijah'', by Nissan Engel (American, 1931 - ), pencil signed lower right numbered 134/250 lower left, overall: 22''h x 19''w. | 20 |
| 532 | Framed lithograph, Untitled [Abstract], by Hassel Wendell Smith (Californian, 1915-), pencil signed and dated '97 lower right, sight: 10''h x 10''w, overall: 16''h x 16''w | 100 |
| 533 | Framed lithograph, ''She Watched ...,'' after Henri Matisse (French 1869-1954), plate signed and dated 1950 lower left, overall: 16''h x 36''w. | 110 |
| 534 | (lot of 2) Framed charcoal and paper drawings, Still Lifes, signed Stroh lower left and lower right, each overall: 30.5''h x 23.5''w. | 25 |
| 535 | Framed color lithograph, Still Life, by Sunol Alvar (Spanish, 1935-) pencil signed lower right, numbered 130/150 lower left, overall: 21.5''h x 18''w. | 130 |
| 536 | Framed serigraph, ''Tryptic Tantra,'' signed Nick Weitzel lower right, titled lower left, overall: 24''h x 30''w. | 10 |
| 538 | Framed woodblock print, ''Rima'', by Helen Shafter Feyler Switz (Californian 1925-2006), signed lower right, numbered lower center 2/13, titled lower left, overall: 26.5''h x 20.5''w. | 20 |
| 539 | Chinese hanging scroll, 'Hunting Dog', ink and color on silk, bearing the signature 'chen Lang Shining gong xie' (=repectfully painted by your humble servant Lang Shining (Guiseppe Castigilione 1688-1768), with one seal reading 'Chen Shi Ning' (tears, mildew damage), overall:70.25''h x 31''w, painting: 32.5''h x 26''w, Provenance: acquired in 1949 in Tianjin, China by the previous owner (estate of Mrs Gloria O'Hara, Vancouver, Canada) | 3250 |
| 540 | Chinese hanging scroll, 'Mountain landscape', ink and color on paper, long poetic colophon on the left, followed by signature and two seals of the artist, overall: 78''h x 28''w, painting: 26.5''l x 26''w | 60 |
| 541 | Chinese hanging scroll,'Three Heroes of Wind and Dust'(feng chen san xia), ink and color on textile, with one seal of artist in the lower right, overall:80''l x 30''w, sight:44.5''l x 26''w | 130 |
| 543 | Chinese large fan painting, titled 'Views of Guilin, China', one side ink and color on paper, mountain scenes with multiple poetic colophons and seals, the other side ink on paper of a long poetic colophon with the characters 'fu' and 'shou' in the center, still retaining wooden ribs, overall: 49''l | 60 |
| 544 | Framed Chinese/Korean folk painting, 'Two Roosters', ink and watercolor on paper, depicting a white and a black rooster under flowering wisteria, unsigned (some wear), overall: 34.25''h x 18.75''w; sight: 31''h x 14.5''w | 70 |
| 545 | Framed Japanese modern woodblock print by 'Kawano Kaoru', entitled 'Nude No.1', signed in pencil and sealed 'Kaoru' lower right, 97/200, separate label 'self-carved/self-printed Kaoru Kawano' taped to the back of the frame (some foxing [not unframed]), overall 29'' x 17.75''; sight 22.75'' x 12'' | 110 |
| 546 | Framed Japanese woodblock print triptych, by Ogata Gekko (1859-1920), entitled 'Shijonawate Masatsuna Uchijini no zu' (The death of Masatsuna at Shijo-nawate), each of the samurai warrior with a label cartouche, far left signed 'Gekko-ga' and with dated publisher cartouche(Meiji 34.9 = 1901 August) (faded, minor wrinkles), overall 22'' x 36''; sight (each sheet) 13.5'' x 9'' | 140 |
| 547 | Framed Japanese modern woodblock print by Kawano Kaoru (Japanese 1916-1965), entitled 'Girl and Canary', sealed 'Kaoru' lower right, (tape to reverse back and top/bottom center [unframed]), overall: 18.25''h x 13.75''w; print 17'' x 11.25'' | 120 |
| 548 | Framed Japanese modern woodblock print (sosaku hanga), depicting a pair of vases in shades of green, brown and black, with artist's seal lower left, overall 15'' x 13.75'', sight 10.5'' x 9.25'' | 45 |
| 549 | Framed Japanese woodblock print (hashira-e), featuring a maiden dreaming of a youth being accosted by two beauties, 1780s/1790s, unsigned, (poor condition [not unframed]), overall: 29.75'' x 8.25''; sight: 21'' x 4.5'' | 60 |
| 550 | (lot of 3) Framed Chinese embroideried textiles, two panels featuring a figure on a garden terrace reserved on a couched gold ground, with patterned borders, the last a small fragment of a crane and blossoming flowers in Peking knot stitch, 16.5''h | 130 |
| 551 | Framed Japanese modern print, 'August 25th,' signed Y.Esaki, 89', edition 7/20, overall 37'' x 28.5''; print 25'' x 5'' | 90 |
| 553 | Framed lithograph, The King's Unhappiness (1952), after Henri Matisse (French, 1869-1954), overall: 32''h x 42''w. | 140 |
| 554 | Framed lithograph, The Left-Handed Bureauocrat, by Roy Carruthers (South African, 1938 - ), signed lower left, numbered 30/30 lower right, inscribed verso, overall: 48''h x 35''w. | 450 |
| 555 | Framed lithograph on Arches paper, ''Joan Miro/90e Anniversaire/Galerie Jofa Kim'' (1983), after Joan Miro (Spanish, 1893-1983), plate signed lower right, sight: 27''h x 19''w, overall: 40''h x 28''w. | 60 |
| 556 | Framed oil on canvas, Abstract, by Eva Sikorski (Californian, 1917-1990), unsigned, titled verso, sight: 34''h x 21''w, overall: 37''h x 24''w. Provenance: Estate of the artist. | 60 |
| 558 | Framed Japanese woodblock print, by Hasegawa Sadanobu III, series 'Shin kabuki juhachiban no uchi' (=One of the 18 Plays of New Kabuki [theater]), entitled 'Kagami-jishi' (Mirror Lion), signed 'Sadanobu-ga', publisher mark of Uchida, overall 22.25'' x 16.75''; sight 15.25'' x 10.25'' | 30 |
| 560 | Framed Chinese painting, entitled 'Suzhou Water Village,' watercolor on paper, colophon on the lower right inscribed with title and signed 'Beigang', with one seal of the artist, overall: 28''h x 22''w; sight: 21''h x 15''w | 175 |
| 561 | Framed poster, XIII Olympic Winter Games, Lake Placid 1980, designed by Frank Levi (American, 20th century), inscribed by artist lower right, overall: 18''h x 24''w | 40 |
| 562 | Framed oil on canvas, Clown, unsigned, 20th century, overall: 23''h x 26''w | 60 |
| 563 | Framed painting fired on copper, ''Three Figures,'' by Pascal Cucaro (Californian, 1915-2004), signed lower right, numbered 8/10 lower left, signed and sealed with wax verso, overall: 16''h x 14''w | 90 |
| 564 | Framed exhibition poster, ''Corcoran Gallery of Art, Peter Max, July 4, 1981,'' pen signed by the artist, overall: 27.5''h x 15''w | 60 |
| 566 | Framed offset print, Jerry Rice, Joe Montana and Ronnie Lot, autographed by each of the sitters, signed indistinctly lower right, numbered 42/1449 lower left, overall: 26.5''h x 34''w | 150 |
| 567 | (Lot of 2) Framed watercolors, Native American Figures, by J.H. Martin (American, 20th century), signed lower left, sight: 15.5''h x 11''w, overall: 23''h x 18''w | 80 |
| 570 | Framed pastel on paper, Portrait of a Crawling Child, by Arne Cassel (Swedish, 1898-1965), signed and dated 'December 1931' lower right, overall: 23.5''h x 29.5''w | 110 |
| 571 | Framed ink on paper, ''The Weaker Sex II,'' signed Franklin (under mat), after Charles Dana Gibson (American 1867-1944), overall: 21''h x 15''w | 80 |
| 572 | Framed oil on board, Woman Kneading Dough, signed indistinctly lower right, European 20th century, overall: 25''h x 22''w | 130 |
| 574 | Framed color etching, Le Paysan (after Van Gogh), 1928-, by Jacques Villon (French, 1875-19630, published by Chalcographie du Louvre, plate: 15.5''h x 12.5''w, overall: 25''h x 21''w | 150 |
| 575 | Framed oil on board, Portrait of a Child, unsigned, overall: 22''h x 18''w | 200 |
| 576 | Unframed oil on canvas, ''Evening,'' 1895, by Joseph A.C. Pettitt (European, 19th century), signed and dated lower right and verso, titled verso, overall: 16''h x 24''w. Condition: canvas torn at edges; warping; tobacco staining. | 20 |
| 577 | Framed oil on board, Harlequin, signed indistinctly lower right, overall: 30''h x 24''w. | 110 |
| 578 | Framed color lithograph, Christ Brought Before Pontius Pilate, after Mihaly Munkacsy (Hungarian, 1844-1900), unsigned, overall: 27.5''h x 34''w. | 25 |
| 579 | Framed oil on canvas, Religious Scene, signed and inscribed indistinctly lower right, overall: 21.5''h x 18''w. | 275 |
| 581 | Framed oil on canvas, Portrait of a Woman, signed indistinctly lower right (B. Le__ler?), overall: 35''h x 29''w. | 70 |
| 582 | Framed oil on canvas, Portrait of a Young Girl in Red and Green, by Agapito Labios (Mexican, 1898-1996), signed lower right, sight: 23.5''h x 18''w, overall: 27''h x 21.5''w | 500 |
| 583 | (Lot of 2) Framed oils on canvas, Portraits of a Girl and Boy, by Agapito Labios (Mexican, 1898-1996), signed lower right, sight: 21.75''h x 16.5''w, overall: 25.5''h x 20''w | 600 |
| 584 | Framed mixed media (oil and sand) on artist's board, Portrait of a Woman in a White Hat, signed indistinctly lower right, American Photo Supply Artistboard (Chicago, IL) label verso, overall: 17''h x 12''w | 15 |
| 585 | (Lot of 2) Unframed oils on canvas, Portraits of Young Girls, by Agapito Labios (Mexican, 1898-1996), signed lower right and left, overall (largest): 22.5''h x 16.5''w | 425 |
| 586 | Framed oil on canvas, Portrait of a Young Girl with Necklace, unsigned, 19th century, overall: 23''h x 20''w | 130 |
| 587 | Framed oil on board, Boy with His Cow, unsigned, 20th century, overall: 24''h x 20''w | 35 |
| 588 | Framed oil on canvas laid to board, Portrait of a Young Musician, signed Charles Rainer and dated 1927 upper left, overall: 30''h x 24''w | 110 |
| 589 | Framed oil on canvas, Young Southeast Asian Woman Cooking, signed and dated B. Bajillo '85 lower right, overall: 19.25''h x 23.25''w | 90 |
| 590 | Framed oil on canvas, Portrait of Siri Lindberg, by Runo Janssen, signed and dated 1947 lower left, overall: 29''h x 24''w | 50 |
| 591 | Framed oil on canvas, Portrait of a Lady in Profile, by Eduardo Tojetti (Californian, 1851-1930), signed upper left, sight: 19''h x 15''w, overall: 23''h x 19''w. Condition: paint loss. | 100 |
| 592 | Framed oil on canvas, Portrait of a Man, unsigned, 19th century, overall: 28''h x 23''w | 100 |
| 593 | Framed oil canvas, Portrait of a Woman in Floral Skirt, signed 'Peccherino' upper left, overall: 42''h x 32''w | 20 |
| 594 | Framed oil on canvas laid to board, Portrait of a Woman, unsigned, overall: 28''h x 22''w | 100 |
| 596 | Framed oil canvas, Portrait of a Woman in White and Blue, by Siv Muse Holme (Swedish, 1914-), signed and dated 1937 lower right, overall: 39''h x 31''w | 200 |
| 597 | Framed oil canvas, Portrait of a Woman in Blue, by Siv Muse Holme (Swedish, 1914-), signed and dated 1941 upper right, overall: 31''h x 24''w | 130 |
| 601 | Framed mixed media on board, Green and Blue Abstract, initialed indistinctly lower right, overall: 18''h x 60''w | 60 |
| 602 | Framed oil on canvas, Abstract, signed Whitman lower right, Contemporary, overall: 20''h x 41''w | 25 |
| 603 | Framed vintage print, United States Map, by Miguel Covarrubias (American, 1902-1957), plates signed lower right, overall: 30''h x 41''w | 70 |
| 604 | Framed hand-colored etching, Runkelstein, by Anton Kaiser (Austrian, 1863-1944), plate signed lower right, overall: 39''h x 31''w | 50 |
| 605 | Framed hand-colored engraved map, Diversi Globi Terr-Aquei..., by Matthaus Seutter (German, 1678-1757), 18th century, overall: 24''h x 27''w | 1500 |
| 606 | Framed reproduction print, Valentinum, overall: 23''h x 28''w | 15 |
| 607 | Framed etching black ink on laid paper, Avanzi di antiche terme in Albano denominati Cello Majo, (19th century impression), by Giovanni Battista Piranesi ( Italian, 1720 - 1778 ), signed in the plate at lower right, overall: 29''h x 34''w. Catalogue reference: Kamei 464, Wofsy Vol.II, 649. Condition: left margin trimmed off | 225 |
| 609 | (Lot) Unframed miscellaneous drawings, watercolors, and prints, including a pencil on paper drawing, Sunset over the Ocean, by Charles Hamilton Owens (Californian, 1821-1958), inscribed and signed lower left, overall: 19.25''h x 14.25''w (largest) | 90 |
| 610 | Unframed oil on canvasboard, The Road Behind Catalina Casino [Avalon, Catalina Island], Californian 20th century, signed indistinctly lower left, sight: 16''h x 12''w. | 110 |
| 611 | (Lot of 2) Unframed hand-colored woodcuts by Jakob Steinhardt (Israeli, 1887-1968), signed lower right: ''Hagar and Ishmael''; ''Berenice II,'' numbered 49/100 at lower left, largest sheet: 13.5''h x 9.5''w. Catalog: Behrens 756 Kolb 444; Behrens 821. | 110 |
| 612 | Unframed lithograph, Pandora's Box, (1975), by David Lance Goines (American, 1945 - ) plate signed and dated lower right, sheet: 24''h x 13''w | 90 |
| 613 | Unframed lithograph, ''The Carpet Center,'' (1976) by David Lance Goines (American, 1945 - ), plate signed and dated lower left, sheet: 24'' x 18'' | 60 |
| 614 | Unframed lithograph, Charcuterie: Pig-By-The-Tail, (1973), by David Lance Goines (American, 1945 - ) plate signed and dated lower center, sheet: 24'' x 18'' | 80 |
| 615 | Unframed lithograph, Queen of Hearts Ball, (1977), by David Lance Goines (American, 1945 - ), plate signed and dated lower left, sheet: 24''h x 14 3/4''w. | 140 |
| 616 | Unframed lithograph, By Hand, (1974), by David Lance Goines (American, 1945 - ), plate signed and dated lower left, sheet: 24''h x 18''w | 70 |
| 617 | Unframed etching, ''BIP,'' by James P. Southard (American, 20th century), pencil signed lower right, inscribed A/P lower center, overall: 24''h x 18''w | 20 |
| 618 | (Lot of 2) Unframed etchings, Green Wreath and Portrait of a Man, by Leonard Baskin (American, 1922-2000), pencil signed lower right, numbered lower left, overall: 19''h x 12.5''w (largest) | 70 |
| 619 | (lot of 3) Unframed oils on canvasboard by Dorothy Waterhouse McKee (Californian, 1898-1949): Cezanne-inspired still life with teakettle and fruit, signed McKee verso, overall 16'' h x 12''w; Cezanne-inspired still life with pitchers and fruit, signed McKee lower left, overall 20''h x 16''w; Cubist-influenced still life with teakettle and violin, signed Dorothy McKee verso, overall 20''h x 16''w. Provenance: Estate of the artist | 120 |
| 620 | (lot of 5) Unframed watercolors, Dockland, by Dorothy Waterhouse McKee (Californian, 1898-1949), some signed, largest overall: 22''h x 28''2. Provenance: Estate of the artist. | 140 |
| 621 | Mounted panoramic photograph, Panama Pacific Exposition Scenes (View of the Bay and a Lumber Company Parade), by Cardinell-Vincent Co., dated October 21, 1915, overall: 12''h x 32''w | 225 |
| 622 | (Lot of 9) Unframed reproductions of antique prints, Temple Scenes, overall: 17.5''h x 24''w (largest) | 25 |
| 623 | (Lot of 2) Unframed and matted offset prints, ''Pont Pres de Canton'', after Borget, overall: 26''h x 21''w (each) | 25 |
| 625 | (Lot of 2) Unframed offset prints, ''Alexandria'' and ''New Orleans'', after John Stobart (American, 1929-), pencil signed and numbered lower right, overall: 26''h x 38''w | 350 |
| 626 | (Lot of 7) Unframed offset prints, Chinese Landscapes and Boat Scenes, after P. Williams, pencil signed lower right, edition of 250, numbered lower right, overall: 25''h 33''w | 25 |
| 627 | (Lot of 2) Unframed offset prints, Reproductions of China Trade Paintings, edition of 200, numbered lower right, overall: 23''h x 35''w | 25 |
| 628 | Portfolio of etchings with slipcase, ''Metamorphoses Hermetiques,'' 1976, by Mordecai Moreh (Israeli, b. 1937), published by Oeuvres Graphiques Contemporaines (Paris), included 6 signed and numbered etchings, overall: 21''h x 14''w | 325 |
| 629 | (Lot of 9) Unframed mixed media prints all Untitled, pencil signed indistinctly lower right, numbered lower left, overall: 22''h x 30''w (largest) | 80 |
| 630 | (Lot of 8) Unframed monotypes, Untitled all pencil signed indistinctly lower right, numbered 1/1 lower left, overall: 27''h x 21''w (largest) | 90 |
| 631 | (Lot of 8) Unframed contemporary prints: (5) Serigraphs, Desert Mountain Landscapes, pencil signed indistinctly [Jack D_?] lower right, numbered lower left; Collage, ''Glacial Stream,'' pencil signed indistinctly [Phyllis _?] lower right, numbered E/V 27/100 lower left; (2) Serigraphs, Abstract Mountain Landscapes, pencil signed indistinctly [R.C. Plumb?] lower right, numbered 62/200 lower left, overall: 37''h x 24''w (overall) | 60 |
| 632 | (Lot of 5) Unframed mixed media paintings on paper, Abstracts, unsigned, Contemporary, overall: 24''h x 32''w (largest) | 60 |
| 633 | (Lot of 8) Unframed contemporary prints: Serigraph, Ocean Horizon, pencil signed J. Barnes and dated 1977 lower right, numbered 31/40 lower left; Etching and aquatint, ''Trois mouvements lents: allegro graziono,'' by Jean Solombre (French, b.1948), pencil signed and dated '85 lower right, numbered 125/145 lower left; Monoprint, ''Poppies,'' pencil signed 'Parrese' lower right, inscribed 'monoprint' lower left; Linocut, ''Green Leaves,'' pencil signed indistinctly lower right, numbered 'p/p' lower left; Linocut, ''Winterscape,'' pencil signed indistinctly lower right, numbered 49/200 lower center; (2) Etchings, ''Schooner'' and ''Summer Heat,'' signed indistinctly [Stephen L_?] lower right, 126/175 and 121/150 lower left (respectively); Etching, ''Construction Lines II,'' pencil signed 'M. Andrews' lower right, numbered 145/200 lower left; overall: 31''h x 25''w (largest) | 90 |
| 634 | (Lot of 6) Unframed contemporary prints: (2) Serigraphs by Juergen Peters (b. 1936), pencil signed and dated lower right: ''Pyramidal Contrast'' (1981), numbered 248/250; ''Interchange'' (1980), numbered 189/250 lower left; (2) Serigraphs by Tony Bechara (Puerto Rican, b. 1942), pencil signed lower right: ''Nocturne II,'' numbered 10/250 lower left; ''151 Colors,'' numbered 96/250 lower left; (2) Serigraphs, by Roy Ahlgren (American, contemporary), pencil signed 'Ahlgren' and dated lower right: ''Stratification'' (1980), numbered 65/145 lower left; ''Asteroid'' (1980), numbered 21/150 lower left; overall: 22''h x 30''w (largest) | 90 |
| 636 | (Lot of 4) Unframed mixed media compositions, Abstract Grids, initialed 'NIS' and dated '82 lower right, overall: 23''h x 37''w | 25 |
| 637 | (Lot of 6) Unframed contemporary prints: (3) Color prints with cut and textured surface, Geometric Abstracts, by Rick Tunkel (American, Contemporary), pencil signed and dated '81 lower right, inscribed ''Imperfect Print'' lower left; (2) Serigraphs, Red and Gold Abstracts, pencil signed indistinctly and dated '83 lower right, numbered 11 and 12/95 lower left; Serigraph, ''Hawthorne II,'' by David Meyer (American, Contemporary), pencil signed and dated 1983 lower right, inscribed ''proof'' lower left; overall: 26''h x 39''w (largest) | 50 |
| 638 | Unframed mixed media print, Kimono Collage, by Karyn Young (American, b. 1955), pencil signed and dated '89 lower right, numbered 28/45 lower left, overall: 28.5''h x 20''w | 40 |
| 639 | Unframed acrylic on paper with hand-deckled edges, ''Dance of Cranes,'' 1988, by He Deguang (Chinese, 1945 - ), signed lower left, gallery label affixed verso, sheet: 32''h x 32''w, overall: 45''h x 45''w. | 550 |
| 640 | Unframed serigraph, Red and Brown Abstract, by Thomas W. Benton (American, 1930-2007), pencil signed lower right, numbered 237/250 lower left, overall: 35''h x 35''w | 20 |
| 641 | (Lot of 2) Unframed serigraphs, Tropical Flowers, pencil signed lower left, overall: 40''h x 26''w | 45 |
| 642 | Unframed lithograph, Profile of a Man, by Leonard Baskin (American, 1922-2000), 1971, pencil signed lower right, numbered 69/160 lower left, overall: 34.5''h x 24''w | 120 |
| 644 | (Lot of 3) Unframed artwork: Linocut, after Pablo Picasso; Pencil Drawing, after Gainsborough; Woodcut, Owl, pencil signed Jola Alberg and number III/63 lower right, overall: 19''h x 22''w | 90 |
| 645 | (Lot of 9) Unframed serigraphs, Cats, pencil signed Norma Flynn lower right, overall: 22''h x 28''w | 15 |
| 648 | Unframed matted gelatin silver print, Flight, by Harold Edgerton (American, 1903-1990), signed verso, photo: 20''h x 16''w, overall: 24''h x 20''w. Provenance: Museum deacession. | 800 |
| 649 | Unframed lithograph, ''Fireflies,'' by Muramasa Kudo (Japanese, 1948-), pencil signed lower right, numbered 74/250 lower left, overall: 34''h x 43''w | 30 |
| 650 | Unframed lithograph, ''Dimanche a la Plage'' by Rene Couturier (Dutch, 1933 - ), signed lower right, numbered 19/75 lower left, sheet: 30''h x 23''w. | 20 |
| 651 | Unframed etching, ''End of Summer,'' 1977, by Hubert Shuptrine (American, 1936-), pencil signed and dated lower right, numbered 255/300 lower left, overall: 35''h x 37''w | 25 |
| 652 | Patinated bronze figural lamp, with French foundry stamp circa 1920 ''La Surprise'' by Auguste Moreau mounted on socle marble base, 16.5''h | 175 |
| 653 | Framed oil on board, Mother and Child, unsigned, Contemporary, overall: 11.5''h x 9.5''w | 20 |
| 654 | Framed oil on board, Lounging Dog, signed Maida McCow lower right, overall: 16''h x 21''w | 35 |
| 656 | Framed oil on board, Farewell, Contemporary, unsigned, overall: 9.5''h x 11.5''w. | 30 |
| 657 | Slag glass panel lamp with fluted iron base terminating in a leafy base, 19''h | 90 |
| 658 | (Lot of 2) Framed silver gelatin prints, Figure in Paris and Dunes Landscape, unsigned, overall: 8''h x 10''w (each) | 25 |
| 659 | Carved German walnut bracket clock retaining label: ''H.A.C. 8 day time piece, Made in Wurttemberg, No. 3226'' time only, 10.5''h, (key and pendulum in office) | 40 |
| 661 | Religious icon (oil on wood), Greek 19th century, overall: 7.5''h x 6''w (losses) | 60 |
| 662 | Framed offset print, Carousel Horse, unsigned, dated 1987 lower center, overall: 19''h x 23''w. | 10 |
| 664 | (lot of 2) circa 1930 French gilt boudoir lamp with porcelain flowers, one 21.5''h and one bouillotte base, 19''h | 140 |
| 665 | Art Deco figural gilt bronze dog lamp with crackle glass globe, 13.5''h | 120 |
| 666 | Framed oil on board, Coastal Scene, by Arnold Bray (Californian, 1892-1972), signed and dated 1949 verso, sight: 6''h x 9''w, overall: 7.5''h x 11''w | 150 |
| 667 | (lot of 2) Framed oil on board, Crashing Waves, signed Schot lower right, largest overall: 7.5''h x 7.5''w. | 80 |
| 668 | Framed, hand embellished print on celluloid, Portrait of a Woman, signed Lads center right, overall: 8.5''h x 6.5''w. | 30 |
| 669 | Framed oil on board, European Landscape, unsigned, indistinct pencil inscription verso, overall: 9.5''h x 8''w | 30 |
| 670 | Unframed oil on board, City Scene, initialed E.M.S. lower right, overall: 8''h x 6''w. | 15 |
| 671 | Silverplate candlestick lace maker's lamp, 19th century, with reflector, 15''h | 50 |
| 672 | (Lot of 2) Unframed oval oils on board, Moroccan Scenes, unsigned, 20th century, overall: 13''diameter (each) | 90 |
| 674 | Framed oil on canvas, Children at the Beach, unsigned, Contemporary, overall: 43''h x 52''w | 150 |
| 675 | Framed oil on canvas, The Soccer Player, unsigned, Contemporary, overall: 74''h x 50''w | 80 |
| 678 | Wedgwood basalt urn with relief of grape & vine swags, lion masks and various classical figures, 7''h x 8''w | 150 |
| 679 | (Lot of 10) Coalport cabinet plates, French Noble pattern retailed by Ovington Bros, 10.5''w | 140 |
| 680 | Hummel plaque ''The Original Hummel Figures'' second mark stamp, 4'' x 5.5'' | 100 |
| 681 | Hummel figurine ''The Cellist'' on rectangle base, stamped full bee, 6.5''h | 80 |
| 682 | Hummel figurine ''Globe Trotter'' stamped full bee mark, 5'' | 80 |
| 684 | Hummel figurine ''Just Resting'' stamped full bee mark, 5'' | 80 |
| 685 | Hummel figurine ''Barnyard Hero'' stamped full bee mark, 6'' | 80 |
| 686 | Hummel figurine ''duet'' stamped full bee mark, 5'', final issue 1995 | 90 |
| 688 | Lladro bride and groom porcelain figurine, bearing blue Lladro mark; 8''h | 50 |
| 689 | Whimsical Victorian carving depicting a terrier cat chase in parlor setting with bust of Pan, 13.5''h, loss to thermometer and minor carving losses | 120 |
| 690 | Marx Wonder Cyclist tin wind-up toy, 7.75''h | 100 |
| 691 | Orient and Flume iridescent art glass vase depicting a dogwood tree, signed on base, retaining label, 8.5''h | 225 |
| 692 | (Lot of 2) Mixed-media (ceramic, feathers and fur) sculptures, Native American Masks, signed SEWT on reverse, Contemporary, approximately 20''h x 16''w (Mohawk ceramic has been repaired) | 50 |
| 693 | Northeast Native American beadwork purse | 175 |
| 694 | Ambrosia Lake Area collection of Native American objects including arrowheads, bone tools, etc, in a glass and wood display case | 140 |
| 695 | Middle Cambrian Period trilobites in display case | 110 |
| 696 | Fossilized Shark Teeth in display case | 110 |
| 699 | One shelf of rocks, quartz, and petrified wood | 100 |
| 700 | (lot of 7) Royal Doulton toby character mugs including John Peel, and Tony Weller, 5''h; medium size: The Hampshire Cricketer, John Doulton, Henry VIII, 4''h, Sir Henry Doulton, and a miniature: Tony Weller 2''h | 100 |
| 702 | (Lot of 2) Dog and Cow bisque figures | 15 |
| 703 | (lot of 4) Wedgwood including Royal Jasper Blue sugar and creamer highlighting Queen Elizabeth II; together with a lidded box featuring His Royal Highness Prince Philip, Duke of Edinburgh and a small plate with Queen Elizabeth II Silver Jubilee 4.5'' | 25 |
| 704 | Fish fossil in stone | 70 |
| 705 | Lot of 5 Hummel figurines, new mark | 90 |
| 706 | ''The Long Trail'' by Kermit Roosevelt, autographed edition 1921 | 10 |
| 707 | Bavarian porcelain nude female figurine | 15 |
| 709 | (lot of 6) Assorted art glass paperweights, largest, 4.5''d | 45 |
| 710 | (lot of 3) Murano art glass animals including an amethyst to clear fish and duck, 5''h; and a clear to amber owl 4''h | 30 |
| 711 | American Victorian hand painted art glass vase, oak leaf motif, 5''h | 60 |
| 712 | Royal Vienna compote with classical scene transfer slip after Angelica Kauffmann, under rim chip, 6''h x 9.5''w | 20 |
| 713 | Chinese model of a fisherman, early 20th century, the doll standing in a short jacket, straw apron and short trousers with a fish suspended from his left hand (right missing pole), the upper shoulders/head pivots to the front and back (some losses), 13.5''h | 25 |
| 714 | Chinese blue and white porcelain ovoid vessel, of meiping form with a high shoulder and tapering sides below an unusual horizontal ribbed spout, the body painted in cobalt blue with ducks swimming in a lotus pond above a lappet band, the shoulder with floral scrolls and bearing an apocryphal Jiajing inscription, 14.5''h | 175 |
| 715 | (lot of two) Chinese polychrome enamel figurine of a beauty, the base with studio name and stamped 'China' 9.5''h; Chinese porcelain pot with dome-form cover, decorated with a floral spray in grisaille (hairline crack), 4.25''diam | 25 |
| 716 | Green hardstone Buddha figure | 10 |
| 717 | Onyx ashtray with metal elephant | 15 |
| 719 | Chinese Canton enamel decorated stand, the waisted pedestal fashioned with an upright scalloped edge encircling a round base pierced with three large and three small holes, all painted with bands of fruiting and flowering leafy sprays on bright pink or turquoise blue ground, a key-fret band at the base, 5.75''diam | 15 |
| 720 | (lot of 2) Chinese jade pendants, the first of child standing with his foot on a ball and holding a lotus seed pod, the stone of even celadon green tone, the second carved with an image of a laughing child holding a floral spray, the translucent pale-green stone with a russet skin to the reverse, 3'' and 2.75''l | 60 |
| 721 | Chinese celadon green jade plate, carved to the interior with a seated fu-lion toying with a small pup to the front and encircled by cloud scrolls, further scrolls at the chamfered corners of the wide barbed rim, the translucent matrix of even green hue flecked with a few opaque inclusions, 6.25''sq | 60 |
| 722 | (lot of 2) Chinese nephrite jade decorations, the first a small bi disk carved to the top with mythical animals, portions of the design incorporating inclusion in the mottled brown matrix, the second a pendant with a pair of white jade girl and boy suspended from strands with minute jade and carved wooden beads, bi: 2.25''diam | 35 |
| 723 | 6 South Asian Bronze figurines, musicians | 40 |
| 724 | Southeast Asian figural bone carving | 5 |
| 725 | Chinese small blue-and-white covered container, Qing dynasty, of ovoid shape with a domical lid and painted in cobalt blue with floral sprays, 3.5''diam | 20 |
| 726 | (lot of 7) 6 Japanese Imari dishes, Late Meiji Period, the interior well with a cobalt blue fruit medallion encircled by polychrome enamel painted landscape and floral reserves (some wear), 7.25''dia; together with an Asian footed ceramic bowl | 20 |
| 727 | Chinese polychrome enamel and gilt decorated ovoid vase with scholar's objects and floral sprays, base with apocryphal Qianlong mark, 6''h | 10 |
| 728 | (Lot of 2) Asian Imari style items, the first a Japanese Imari candleholder with a foliate rim and decorated in the characteristic manner with landscape reserves on red-ground with white flowers, with apocryphal Dai Min Seika mark, the second a Chinese Imari-style plate, the reverse with a kiln mark, plate 8.25''d. | 20 |
| 729 | Unframed, mounted photograph of Jean-Louis Barrault, bears signature lower left in felt pen and lower right in ink | 80 |
| 730 | (Lot of 2) Mayor Fiorello LaGuardia signed photo with a 1942 Wendell Wilkie typed and signed letter dated June 14, 1941 | 20 |
| 731 | (Group Lot) Assorted Asian coins, including two albums and one sheet, consisting mostly of Chinese coins, some Japanese, etc | 150 |
| 732 | Framed penny collection, 'The Heritage of the United States of America', and a collection of buffalo nickels and Indian head pennies, 'A Tribute to the Old West Collection' | 35 |
| 733 | Collection of U.S. coins and reproductions | 70 |
| 735 | Bag lot of costume jewelry including beaded necklaces, hardstone pendant, a bone necklace, etc. | 35 |
| 736 | Bag lot of costume jewelry including zebra print bracelet, beaded necklaces, brooches, ear pendants, etc. | 35 |
| 737 | (lot of 2) Glass bead necklaces | 25 |
| 738 | Turquoise ring set in sterling silver, initialed by artist | 25 |
| 742 | (lot of 6) Religous items consisting of 4 stamps, carved ceramic cross with Jesus, etc. | 100 |
| 742A | Victorian lace parasol with carved wood handle | 60 |
| 742B | Pair of opera glasses inlaid with mother of pearl | 20 |
| 742C | Victorain brass framed mirror with scrolling openwork | 40 |
| 744 | (lot of 2) Two 1920s tin enameled frames decorated in floral motifs with inset with portrait photographs, 7.25'' and 9'' | 20 |
| 745 | The York Courant, Tuesday October 21, 1746, 2 leaves | 15 |
| 746 | Tortoise shell fan | 110 |
| 747 | Pair of silk folding fans, one ivory colored fan with blue flowers and a black fan | 90 |
| 748 | (lot of 2) Animated alarm clocks: Walt Disney Productions, ''Barnyard Pluto'' and French made Walt Disney ''Barnyard Donald'' | 60 |
| 750 | Topps 1968 Rookie Stars baseball card featuring Reds catcher Johnny Bench and pitcher Ron Tompkins | 25 |
| 751 | (lot of 3) Albums of German, Italian and American military images | 15 |
| 752 | 20 WHO DC Universe comic books, mint in sleeves | 20 |
| 753 | Silverplate and stainless steel flatware including serving pieces, cased | 100 |
| 754 | Cambridge ceramic plaque with roses | 25 |
| 755 | Dressing items including an Art Nouveau silver plated mirror, clothes brush and cased comb, together with hairpins and stick pins | 60 |
| 756 | Group of silverplated flatware | 20 |
| 757 | (lot of 3) Dressing items including 2 silverplate dresser boxes, one engraved 'MSK', with wood lined interior and stamped 'Hand made' on base, with interior dedication inscribed 'Love from Uncle Bert & Aunt Bertha June 1952', 1.5''h x 6''w x 3.25''d (lid disassembled); the other with engraving on cover of a lion presenting a crown, base bears maker's mark, '11' and 'IFS' stamps, 1''h x 4.5''w x 3.5''d; together with a mirrored plateau with faceted design mirror rim, resting on 4 reticulated feet, 14''dia. | 40 |
| 759 | (lot of 3) Bronze items including a Tiffany sterling framed calendar and an Israeli made bowl | 20 |
| 760 | French gilt metal portrait frame, circa 1900, 7.5''h x 5''w | 25 |
| 761 | White iron cast figural Deco tray | 35 |
| 762 | Bag lot of Chinese green hardstone and glass igural carvings, consisting of a pair of green stone dragons, a pair of celadon green stone horses, two miniature fu-lions and a pale green dragon emerging from waves. | 25 |
| 763 | Carved bone miniature chest of drawers, with a curved front and fitted with a stack of four drawers. | 90 |
| 764 | (Bag lot) Large assortment of carved bone items, most of Asian manufacture, consisting of various types of boxes, insect cages, miniature inro, purse clasps, pouring vessels, figurines/figural beads and a strand of animal teeth. | 90 |
| 765 | (lot of 2) Indonesian polychromed wood dance masks, each of a fanged demon with bulging eyes framed by separately carved ears and with a long protruding tongue, larger 15''l | 25 |
| 766 | (Lot of 5) Indian papoose carriers and little shoes (Sonora California area) | 70 |
| 767 | Afghani mother of pearl inlaid gun | 100 |
| 768 | Afghan sidelock musket, early 19th century, with brass and mother of pearl inlays, with lock stamped Tower; 54''l; refinished | 200 |
| 769 | British musket with percussion cap, early 19th century, the lock stamped C. Lancaster, with hexagon barrel, fine engraving with pineapple trigger guard, 47''l | 130 |
| 769B | ***NOT IN CATALOG*** Mission oak round dining table with pedestal base, 29''h x 48''d | 80 |
| 770 | Pair of Italian style crystal double light sconces hung with prisms | 120 |
| 771 | One shelf having German steins, and Chinese Rose Canton teapot, cup, and saucers | 25 |
| 772 | One shelf having colored tumblers with floral enamel deocration, pair of lustre red to frosted glass vases, and a Bristol milk glass vase in mint green with enameled floral decoration | 70 |
| 773 | Two shelves of mostly porcelain table ware including an English floral and gilt decorated dessert service, chese plate and cover, hand decorated floral motif plates with open work borders, fan shape vase; and pair of gilt wood hanging shelves | 80 |
| 774 | One shelf containing silver plate server with glass insert, sugar scoop, sterling silver candle holders, pitcher, etc. | 25 |
| 775 | Five shelves containing various art glass including Phoenix glass, iridescent Tiffany style scarab, American art glass vases, hobnail decorated lamp shade, ruffle rim baskets, cased glass, colored glass consisting of Art Deco lidded box, carnival glass animal figures, etc. | 500 |
| 776 | One shelf of milk glass in white,pink, and blue including Victorian painted fan vase, ashtrays, candle holders, chicken form condiments, chicken casseroles, etc. | 70 |
| 777 | Four shelves of glass including pair of dolphin candle holders, ashtrays, vases, cruet, stopper decanter, compotes, stemware, etc. | 200 |
| 778 | Two shelves with polychrome decorated porcelain and ceramic figurines including parrots, mermaid, angels, unicorn, putti, etc. | 200 |
| 779 | Three shelves of porcelain and pottery items including Nippon hand painted vases, Lennox cheese plate and cover, Haviland relish tray with gilt and hand painted decorations, Cattelina pottery etc. | 140 |
| 781 | Four shelves of ceramics including, English, German, and Japanese figurines, statues and candle holder | 150 |
| 782 | One self containing Royal Albert bone china ''Chelsea Bird'' pattern dessert service for six, gilt decorated Nieman Marcus saucers, etc. | 70 |
| 783 | One shelf having silverplate serving pieces including a covered tureen with hot water reservoir, openwork handles and beaded rim design, serving tray with similar beaded edge, silverplate covered divided server with ornate floral design ring handle and floral motif edges, the interior separated into two sections with a silver scalloped edge divider, and a silverplate ice bucket | 20 |
| 784 | Two shelves having porcelain table items including hand decorated plates and bowls, teacups and saucers, Limoges pitcher, trivets, etc. | 175 |
| 785 | Two shelves containing various vintage glass shades including frosted bell shape, pink Art Deco, etc. | 90 |
| 786 | Two shelves of clear to smoked glass barware | 60 |
| 787 | Two shelves having Blue Danube porcelain table service for 8 including candle holders, butter, cream and sugar, salad bowl, and serving utensiles | 90 |
| 789 | One shelf containing various art glass paperweights | 45 |
| 790 | Two shelves with Gold Imari teacups and saucers, bowls, etc. | 35 |
| 791 | Two shelves of china including Limoges cups and Bavarian bowls and plates | 140 |
| 792 | One shelf including silverplate and pewter pitchers, coffeepots and flatware etc. | 40 |
| 793 | One shelf of ceramic items including many ironstone service pieces from Thomas Hughes, England | 80 |
| 794 | One shelf of silverplate items including crumber, toast server, and platters | 30 |
| 795 | One shelf of Thai celadon items including teapot, cups and saucers | 10 |
| 796 | Three shelves of glass items including candleholders, covered dishes etc. | 175 |
| 797 | 2 shelves of cut and pressed glass including vases, candy dishes and serving bowls | 50 |
| 798 | 3 shelves of ceramic items including Delft, a Portuguese ceramic pitcher, a pair of Italian ceramic candleholders, and various art pottery | 175 |
| 799 | ***ONE TEACUP BROKEN DURING PREVIEW*** Shelf lot of ceramic items including 5 Limoges boullion cups and saucers and 1 bread plate, a set of Flintridge China Californian made service plates, and an Art Deco inspired ceramic clock | 80 |
| 800 | Shelf containing ceramic service items including a Wedgwood bone china service for 10, H&K Tunstal service plates, and a Tonquin by Franciscan service | 90 |
| 801 | 3 Shelves of silverplate service items including a cased Rogers flatware service for 8, a glass and silver candy dish, 7 service platters in various designs, a water pitcher, and a candle holder | 100 |
| 802 | 5 shelves, mostly ceramic and glass items, including a white ceramic demitasse cup and saucer service including coffee pot, sugar, and creamer, a covered tureen, pressed glass vases, wooden architectural elements, and porcelain figural items | 130 |
| 803 | One shelf of hardcover books including 'The Venturesome Voyages of Captain Voss', 'The Birth and Death of Meaning', 'Call for the Dead', 'Shepherds of Britain: Scenes from Shepherd Life', 'I go Fishing', 'Alone in the Wilderness', and other titles | 70 |
| 804 | Shelf of books including 'A Smithsonian Book of Comic-Book Comics', 'Mr. Pullman's Elegant Palace Car', 'The Scottish World', and others including books on railroads | 15 |
| 805 | Shelf of hardcover books including 'Venice & Antiquity', 'Leonardo da Vinci', 'Art Treasures of the Vatican', and other books on art | 15 |
| 806 | Shelf of art magazines with titles covering ceramics, fine art, and other areas | 5 |
| 807 | 2 shelves of books including many reference books and art titles including 'A History of England and the British Empire', 'Purposes of Art', 'Norman Rockwell Book', 'The Wisdom of China and India', and 'Great Sea Battles' | 15 |
| 808 | 2 shelves of books including 10 auction catalogs of Sotheby's and Bonhams, together with several hardcover books on art subjects | 20 |
| 809 | Two Shelves of hardcover books incluidng titles on graphic design, a Korean dictionary, a Japanese textbook, art books, and the 'Physicians' Desk Reference' of 2002. Plus Aaron Ashley reproduction cataogs and Life Magazines from the 1940's | 15 |
| 810 | 6 shelves of books including a shelf of auction catalogs from Sotheby's, Christie's, Bonham's, and Phillips, a shelf of cookbooks, a shelf on home decor and fine art, hardcover bound volumes of 'The Strand' magazine, 'The Great Cities' Time-Life Books volume set, and 'This Fabulous Century' Time-Life Books volume set | 25 |
| 812 | Two shelves of books including ''Ozma of Oz'' and ''The Patchwork Girl of Oz'' | 20 |
| 813 | Three shelves of sports memorabelia including autographed baseballs, autographed photos of Reggie Jackson and Jack Dempsey, 4 copies Reggie Jackson autobiography, autograph puppy etc. | 60 |
| 815 | Unframed poster, ''A Child's Dream'', after Linda G. Fisher | 5 |
| 816 | (Lot) Unframed miscellaneous prints, including woodcut prints and serigraphs | 35 |
| 817 | (Lot) Unframed miscellaneous artwork, including paintings, pastels and prints | 25 |
| 818 | (Lot) Unframed miscellaneous artwork, including paintings, serigraphs and antique prints | 30 |
| 821 | (Lot) Unframed prints, including mostly serigraphs by Miriam Hayworth | 20 |
| 822 | (Lot) Unframed prints, including posters of Sutro Baths and cartoons from the Greenwich Workshop | 20 |
| 824 | (Lot) Unframed miscellaneous prints, including serigraphs by Kent Faulkner and Lee Purcell | 40 |
| 825 | (Lot of 2) Unframed oils on cardboard, Figures, unsigned | 25 |
| 826 | (Lot) Unframed miscellaneous prints, including woodcut prints, serigraphs and offset prints | 35 |
| 828 | (Lot) Unframed miscellaneous prints, including serigraphs by Dorothy Bowman | 20 |
| 829 | Albulm containing a collection of book plates and magazine illustrations, many relating | 225 |
| 830 | Portfolio of miscellaneous etchings, newspaper clippings, etc. | 60 |
| 831 | Box of assorted prints | 200 |
| 832 | Framed color lithograph giclee, ''The Kiss'' after Pablo Picasso | |